刻画过的巍峨

对电影《冰川时代3》的一句话影评

刻画过的巍峨 — Thu, 24 Dec 2009 04:08:06 GMT

虽说蓝天工作室的动画远比不上皮克斯的创意与独特，但作为一部已经延续到第三部的动画来说还能够保持如此的水平实属不易。尤其是那只叫斯卡拉特的松鼠，它几乎已经成为这一系列动画的标志，风头早已盖过影片的其它三位主角，随着它在每部影片中戏份的逐渐增多，观众也对影片带有更大的兴趣与期盼。

对电影《马利和我》的一句话影评

刻画过的巍峨 — Tue, 23 Jun 2009 06:26:36 GMT

和大多数宠物电影一样，我们跟随着影片见证了马利那相对短暂的一生，同时也见证了这个典型的美国中产阶级家庭在这十几年间的悲欢离合，虽说片中剧情多少有些俗套，但这却无法抹去影片中所表现出的人与宠物之间的那份难以割舍的情感与不舍。

对电影《复仇》的一句话影评

刻画过的巍峨 — Tue, 09 Jun 2009 16:00:28 GMT

影片在平淡中迎来高潮，又在真相大白后戛然而止，名曰复仇，却用复仇者的宽容与隐忍代替了暴力和罪恶，而被复仇者却在自己良心的谴责中惶惶而不可终日。

对电影《高中课堂》的一句话影评

刻画过的巍峨 — Thu, 14 May 2009 15:46:44 GMT

21年后金棕榈再次回到法国人手中。风格看似平实，但含义颇深；叙事看似随意，但矛盾暗藏；人物多为话痨，但却针锋相对，机智幽默。以纯记录的方式反映了法国的教育现状及社会问题，现实主义再次征服戛纳。

最近常听的女声专辑

刻画过的巍峨 — Sat, 09 May 2009 14:23:00 GMT

最近由于比较忙，也很少来更新自己的博客，今天来随便贴几张最近在听的专辑，都是女声，个人认为声音浑厚的女歌手总能给人在喧闹中带来些许安静与沉醉。

Duffy——Rockferry

Adele——19

这两张Neo-Soul可以说震惊了去年的欧美乐坛，也让这两位名不见经传的女歌手一夜之间成为了各大音乐奖项的宠儿，虽然个人认为这两人还赶不上Neo-Soul的大姐大Amy Winehouse，但是总体来讲还是两张水平非常不俗的专辑。

Diana Krall——Quiet Nights

Melody Gardot——My One And Only Thrill

Sophie Milman——Take Love Easy

这三张Jazz专辑可以说各有千秋，但音乐都极其动听，三位女歌手在专辑中都把自己的特点发挥的淋漓尽致，在每年Jazz专辑的数量相对来讲较少的现在，这三张专辑可以说代表了当代女声Jazz的最高水平，听过之后仿佛让人来到了那些云雾缭绕的老式酒吧里，亦真亦幻，欲罢不能。

The End——Jim Morrison's Requiem Mass

刻画过的巍峨 — Sun, 03 May 2009 12:50:00 GMT

The End

This is the end
Beautiful friend
This is the end
My only friend, the end

Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I’ll never look into your eyes...again

Can you picture what will be
So limitless and free
Desperately in need...of some...stranger's hand
In a...desperate land

Lost in a roman...wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain, yeah

There’s danger on the edge of town
Ride the king's highway, baby
Weird scenes inside the gold mine
Ride the highway west, baby

Ride the snake, ride the snake
To the lake, the ancient lake, baby
The snake is long, seven miles
Ride the snake...he’s old, and his skin is cold

The west is the best
The west is the best
Get here, and we'll do the rest

The blue bus is callin’ us
The blue bus is callin’ us
Driver, where you taken us

The killer awoke before dawn, he put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived, and...then he
Paid a visit to his brother, and then he
He walked on down the hall, and
And he came to a door...and he looked inside
Father, yes son, I want to kill you
Mother...i want to...fuck you

C’mon baby, take a chance with us
C’mon baby, take a chance with us
C’mon baby, take a chance with us
And meet me at the back of the blue bus
Doin’ a blue rock
On a blue bus
Doin’ a blue rock
C’mon, yeah

Kill, kill, kill, kill, kill, kill

This is the end
Beautiful friend
This is the end
My only friend, the end

It hurts to set you free
But you’ll never follow me
The end of laughter and soft lies
The end of nights we tried to die

This is the end

上面的这段歌词是The Doors在1966年发行的同名专辑里的最后一首歌，也是摇滚史上最著名的一首史诗般的作品，这不仅体现在歌曲拥有着11分35秒这样恐怖的时长，同样著名的还有这些带有浓厚诗人气质的呓语般的歌词。Jim Morrison用他低沉的嗓音配合着乐队迷幻的配乐反复吟唱着This is the end, This is the end...仿佛他已经看到远处的死神在向他招手，而这些歌词也似乎一语成谶，在专辑发行之后5年——1971年7月3日Jim Morrison在经历了一系列的醉生梦死的疯狂之后最终死在了自家的浴缸里，年仅28岁，The Doors在失去了乐队的灵魂之后也迅速的没落和沉寂，因为Jim Morrison是唯一的，从此之后摇滚乐坛上也再没有出现另外一个像Jim Morrison这样融合了疯狂与诗意这两种截然不同的个性于一身的歌者，The Doors也仿佛是因Jim Morrison而生，也因Jim Morrison而死。而这首The End也像是Jim Morrison提前为自己写成的安魂弥撒，随着他狂野的灵魂而永垂不朽。虽然现在有很多人试图解开这些晦涩的歌词中真正的含义，但似乎任何的解读在这首伟大的作品面前都是苍白的，因为有时我们没有必要也无法去深究所有事物的意义，如同此歌，真正的含义应该早已随着Jim Morrison的遗体埋葬在他的坟墓之中去了吧。就像我们同样永远无法知道《红楼梦》真正结局是什么一样，虽然遗憾，但伴随着这种遗憾的却是一种令人至死无法摆脱的神秘魅力。

Together Through Life——老而弥坚的Bob Dylan以及永不落伍的民谣音乐

刻画过的巍峨 — Wed, 29 Apr 2009 10:33:00 GMT

这张Together Through Life是Bob Dylan2009年的最新专辑，总是惊讶于一些在音乐史上可以称之为“活化石”的歌手能够在如此的年纪保持这样旺盛的创作力，像同样在今年推出自己最新作品的Neil Young、Willie Nelson以及凭借一张跨界合作的专辑横扫今年格莱美的Robert Plant ，似乎在他们身上永远蕴含着无穷的创作能力和不服老的倔强。

现在似乎已经很难再听到像Together Through Life这样纯正的民谣专辑了，平淡却又充满了一个传奇老者的人生哲学与情感真谛，也许年近古稀的Bob Dylan已经写不出像Blowin' In The Wind、Like A Rolling Stone、Just Like A Woman以及Knockin' On Heaven's Door这样被无数人传唱而名垂千古的史诗级作品了，也许是随着年龄的增加早已没有了当年的年少轻狂，现在的Bob Dylan在音乐中更多体现的是一种隐士般的优雅与淡薄，类似于陶渊明“采菊东篱下，悠然见南山。山气日夕佳，飞鸟相与还。”的境界，用一个诗人的角度将音乐雕琢成了一件“余音绕梁，不绝于耳”的艺术作品。在我们每天被大量的Punk、Emo、R&B、Metal类的音乐轰炸耳膜而热血沸腾的现在，偶尔坐下来听一张老式的民谣平和一下自己的心态，享受一下那份淡雅也不失为一个明智的选择。

另外在这张专辑的Deluxe Edition的最后附加了一段长达1小时17秒的名为Theme Town Radio Hour (Interview Recorded In Studio B)的电台录音音轨，主要内容应该是Bob Dylan在美国所主持的一档以乡村、民谣以及爵士乐为主的广播节目，里面的曲目都十分动听，其中也不乏有像Muddy Waters这样的大师级的作品，配合着Bob Dylan那略带沙哑的嗓音的解说，使得整个节目带有浓厚的美国乡村气息，非常值得一听。

最后向所有老当益壮的传奇音乐家们致敬！

《阴风阵阵》——来自意大利的表现主义恐怖

刻画过的巍峨 — Sat, 18 Apr 2009 10:17:00 GMT

意大利一直以来都是世界电影界所无法忽视的一个国家，因为在那里不但有著名的新现实主义运动，也诞生了像费里尼、安东尼奥尼以及帕索里尼这样的电影圣哲，这让人很容易觉得意大利似乎是一个艺术电影的天堂，而不会把它同其它的类型片联系在一起，例如恐怖片。但在意大利却也真的诞生了这么一位恐怖电影大师，他也的确拍出了一部让你看了之后会心惊肉跳一段时间的电影——这就是Dario Argento和他的《阴风阵阵》。

这部电影作为Dario Argento最著名的一部作品也确实全方位的体现了导演对于恐怖题材高超的驾驭能力，而不同于好莱坞的那些在流水线上制作出的恐怖片，导演对于《阴风阵阵》有着很多极为风格化以及艺术化的处理，而这些处理也使得本片自始至终都被笼罩在一片神秘而有令人毛骨悚然的气氛当中，使人欲罢不能。

影片的剧情其实十分单薄，主要是讲述一个年轻的美国芭蕾舞学生到德国的一所著名的舞蹈学校学习，而自从她到来之后她的生活就一直被一系列的诡异事件以及凶杀案件所包围，她自己也受到了很严重的精神折磨，而后来她凭借自己的直觉与智慧发现了学校中所隐藏的可怕的秘密，并最终将阴谋揭穿，整座学校也付之一炬。整个故事看起来是一个十分标准的恐怖片的剧情模式，而这样的剧情如果放在好莱坞来处理，可能又会是一部充满着暴力以及成吨血浆的脑残电影；而Dario Argento却用了一种独特的充满诱惑的风格将本片打造成了一件吓人的艺术品。

本片最鲜明的一个特色应该是导演对于颜色以及隐喻的运用，红色作为本片的主色调在片中除了起到一种烘托惊悚的感觉之外也同样有着强烈的心里暗示意味，似乎有红色的地方就必然孕育着不安与危险（就好像影片开头的一个水坝的特写镜头，汹涌的水流似乎暗示着在这个表明平静的城市里其实充满着躁动与疯狂）。在这里也不得不提到导演在片中用光的高超技巧，色彩艳丽而又强烈的打光使得片中的一些恐怖场景变得更加的扭曲，诡异的气氛也就油然而生。而片中在主要的红色之外导演也运用了大量的蓝色、绿色甚至黑白色调从不同的色彩角度来影响叙事以及暗示片中人物的心理波动，这些色彩在片中也早已失去了它们本身所代表的含义而变成了导演为了营造那种“阴风阵阵”之感的工具。在导演将上述所有的烘托元素同影片中那些极具后现代风格的建筑相融合之后，本片似乎更加的偏离了意大利电影的传统，而更像是一部对以《卡利加利博士的小屋》为代表的德国表现主义电影的致敬之作。

而音乐作为另外一个能够影响一部恐怖电影质量的重要元素,也在本片中被发挥到了极致。片中的音乐总体来看应该被分为两类，一类就是表现影片中的神秘和静态一面的主题音乐，这是一段用类似于钢片琴之类的乐器演奏的较为缓和但充满阴冷感觉的旋律，配合这片中女主人公游离又惊恐的眼神和一些充满悬疑的场景，可以说达到了一种以静制动的效果；而片中另外一类音乐则是用来反映那些恐怖和血腥的场景，这些音乐一般都带有十分嘈杂的噪音般的旋律以及偶尔夹杂的一些类似于鬼哭狼嚎般的尖叫，有些似乎还带有些许的宗教音乐的意味，使得片中的谋杀与灵异事件场景变得更加的诡谲从而令人心生寒意。全片就在这两种风格迥异的音乐的交杂之中达到了一种另类的效果，使观者如坐针毡。

本片除了上述的这些对恐怖片出色的表现手法之外，其实在例如剪辑、摄影以及表演方面也都有着极为出色的发挥，综合了所有的这些优秀的电影元素使得影片成为了一部完全不同于好莱坞风格的经典的欧式恐怖片，也使得导演Dario Argento成为了一个不折不扣的恐怖电影大师。而今年马上又会有一部他同奥斯卡影帝Adrien Brody合作的影片Giallo将要上映，我想同样值得我们期待。

无视主流——电影史上的那些异教徒(一)

刻画过的巍峨 — Thu, 16 Apr 2009 19:02:00 GMT

乔治·梅里爱（Georges Méliès）：

梅里爱应该所得上是电影史上最早的一个异端，当其他人还在为如何顺利的拍出一个完整的故事而绞尽脑汁的时候，梅里爱已经开始了对电影的新的探索。如果按照路易斯·贾内梯的说法电影大概可以分为两类：现实主义和形式主义，卢米埃尔兄弟创造了前者，而梅里爱则创造了后者。《月球旅行记》作为影史上第一部科幻电影，它对于后世的影响可以说是十分巨大的，但在当时由于它过度的实验性和风格化似乎并没有引起太多人的重视。梅里爱也没有因为自己的电影而变得像卢米埃尔兄弟那样举世瞩目，反而他由于拍电影而用光了自己所有的积蓄，晚年则过着凄惨的生活，这无疑又是一个生不逢时的天才的悲哀。

阿尔弗雷德·希区柯克（Alfred Hitchcock）：

如果按长相来讲希区柯克似乎更像是一位喜剧片导演，但现实却是在他那庞大的身躯中蕴藏着的似乎总是各种各样暴力、阴谋以及神经质的东西。是他成功的将电影带入了一个神秘又充满悬疑的新的层次，也成为后来很多新式的类型片争相模仿的对象。但他的风格在当时过于独树一帜，完全不同于那些好莱坞大制片厂出品的电影，具有一种独一无二的希区柯克式的诡异的思辨哲学，另外还有他最著名的“麦格芬”理论和对悬疑的另类诠释以及演员工具说都对当时的主流审美产生了巨大的冲击，也许他唯一一点同当时主流电影不谋而合的就是在他的电影里永远充斥着的金发碧眼的美女们。所以当时的好莱坞主流媒体都没有给予希区柯克很高的评价，甚至有时会嘲笑他的作品缺乏应有的艺术性。但现在看来当时的很多主流影片已经渐渐的被人遗忘，而希区柯克的电影还在以自己独特的魅力“恐吓”着一代又一代的影迷和他的追随者。

奥森·威尔斯（Orson Welles）：

又是一名在电影史上极其重量级的人物，无论是从他的体重以及他的影响力来讲。奥森·威尔斯应该说是最早的一个敢于挑战好莱坞传统的拍摄手法的电影导演，他的电影在视觉上来看总是和当时的其它电影显得那么的格格不入。在其他导演还在墨守成规的遵循好莱坞的传统模式进行拍摄的时候，奥森·威尔斯却早已在自己的头脑里形成了一套反传统的拍摄手法。由于他自己比较反对对于影片进行剪辑，所以传统的180°线原则在他这里似乎就没那么重要，而为了避免使用剪辑他还在自己的电影里使用大量的深焦摄影和长镜头来对影片进行内部蒙太奇的处理，另外高角度的仰拍和俯拍镜头以及反传统的用光也使得他的电影有着一种独特而张扬的风格。而对于这样一个异端，好莱坞同样也是不欢迎的，我们可以从《公民凯恩》在当年奥斯卡奖上所遭到的“礼遇”以及那部著名的《历劫佳人》上便可略知一二，而奥森·威尔斯的天才与野心似乎也在这种压制中逐渐的趋于平庸与妥协。

华丽的不朽

刻画过的巍峨 — Sun, 12 Apr 2009 11:39:00 GMT

前几天在网上看到一篇关于David Bowie的文章，叫做《比上帝还要牛的男人》，在结束的部分有一段文字很有意思：

      为什么David Bowie要比上帝更好？理由如下：
    1、因为我们可以确信David是存在的；
    2、因为David穿得总是那么酷，而上帝却总是一件过时的长袍；
    3、因为David不会去毁灭不信奉他的人；
    4、因为如果你的头脑里听到上帝的声音，那可能表明你疯了；
    5、而如果是在头脑里听到David的声音，虽然也有可能表明你疯了，但至少还可以跟着哼哼几句；
    6、David的裸体比上帝的好看（此结论可参考电影The Man Who Fell To Earth或是未经删节版的China Girl MTV）；
    7、即使在八十年代，上帝也不会把头型梳得那么高；
    8、上帝不会玩吉它；
    9、David比上帝鞋多；
    10、David比上帝有钱；
    11、David一直很有魅力；
    12、而上帝现在的模样看上去更像Mick Jagger或是Keith Richards；
    13、去看David的音乐会总是会比去教堂开心；
    14、上帝不抹指甲油；
    15、上帝太保守；
    16、最后，至少David的Fans不会在大街上把你逼到一个角落里，仅仅为了告诉你：David爱你。

虽然多少带有些许调侃的意味，但从中可以看到David Bowie作为一名摇滚歌手对于整个社会以及一个时代的象征意义。如果可以让我选择一个曾经的时代去生活，我大概会选择上世纪的六七十年代，那是一个疯狂而有迷乱的年代，全世界很多地方都笼罩在变革与动乱之中，而摇滚乐作为当时青年的唯一的精神慰藉也在那个年代妖冶的发展着。导演Todd Haynes在著名的《天鹅绒金矿》中甚至用了整部影片向那个不朽的摇滚年代致敬，而片中主人公的原型也恰恰就是那个年代华丽金属的王子，有着摇滚变色龙之称的David Bowie。

也许仅仅用妖艳与中性来形容这个男人是远远不够的，他那些从来不重复的妆容与服装被后人不断的致敬与效仿，但世界上只有一个David Bowie，已经铸就的经典是无法能够模仿的。世界上所有崇尚中性美的人当中似乎只有女星Tilda Swinton可以同他媲美，他们两个就像同一事物的阴阳两极，用不同的性别诠释着中性的至高美学。而相对于当今社会中所流行的中性装束，只能算是一种东施效颦式的拙劣模仿秀。

现在我们早已远离了那美好而又癫狂的年代，曾经那面容姣好的摇滚青年也早已经不起岁月的磨砺，脸上也早已刻上了时间的痕迹。David Bowie在做歌手的同时也十分热衷与在各类电影中客串演出，当我在《致命魔术》中看到David Bowie的出现时，惊讶的同时却又不敢相信眼前的这位满脸沧桑的中年男人就是曾经颠倒众生的摇滚变色龙。而现在现实中的David Bowie好像举手投足之中也没有了年轻时的戾气与柔美，有的只是一个饱经风霜的中年男人的成熟与内敛，但有时从他的眼神中似乎还能看到一些曾有的阴柔。就像他现在与过去的音乐，现在已经永远无法回到过去的辉煌与巅峰，那索性就用现在的风格来回首和致敬曾经的经典。而对于电影而言，作为歌迷的我似乎更喜欢享受他出现在那些影片中的惊鸿一瞥。

下面是我个人最喜欢的David Bowie的两张专辑：

发行于1973年的Aladdin Sane：

以及发行于1974年的Diamond Dogs：

并没有那张大名鼎鼎的The Rise And Fall Of Ziggy Stardust And The Spiders From Mars，这张专辑我个人以为其实验意义似乎大于了音乐本身，但无法否认它在摇滚史上的重要地位以及影响力。而上面的两张专辑则是纯粹的音乐上的巅峰之作，非常符合那个年代的风格并且带有浓重的David Bowie式的华丽金属味道。

对电影《天水围的日与夜》的一句话影评

刻画过的巍峨 — Fri, 10 Apr 2009 17:47:11 GMT

去年华语电影中的一部另类之作，没有明星，没有大投资，没有跌宕的剧情，甚至全片没有明显的高潮段落，整部影片看下来像是一杯清水，平淡之至却又沁人心脾，而最令人感动的是看着片中人物的那些平凡的生活缩影，仿佛也能回想起自己曾经的往事，这也恰似本片的英文片名——The Way We Are

In Rainbows

刻画过的巍峨 — Tue, 07 Apr 2009 11:53:00 GMT

英伦摇滚先锋Radiohead2007年的专辑，也是距现在最近的一张专辑，无法否认在众多的英伦摇滚乐队中我最欣赏的依旧是Radiohead，这张专辑也同样保持了他们一贯的水准。虽然整体风格依然还是他们在《OK Computer》之后所形成的那种独特的区别于任何其他Britpop乐队的电子加迷幻的英伦曲风，整张专辑听完带给人的仍然是一种“飘”的感觉，似乎身体浮动在云层之间，心却随着神秘的旋律飘荡在另一个世界。Thom Yorke依旧用他那略显沙哑和颓废的嗓音构建出那些呓语般的歌词，但似乎又不像以前专辑中那样的颓靡与绝望，似乎带有些许希望在某些歌曲中若隐若现。可能乐队是在尝试一些新的东西吧，关于音乐中那些形而上的内涵我似乎总是无法理解太深，但对于好音乐，我觉得我还是有信心可以肯定自己的判断。这可能不会是Radiohead最好的一张专辑，但绝对会是一张在听完之后会给你带来一些感动和留恋的好音乐。

P.S. 这张专辑的先期发行乐队采取了网络下载的方式发行，歌迷可以自己在乐队的官网上下载，并且可以通过听完之后的感受选择不付费、付费以及付费的金额，这在显示了乐队自信的同时也不失为一种新的音乐宣传手段。

乐队的吉他手Jonny Greenwood制作了去年大热影片《There Will Be Blood》的电影配乐，音乐带有很强的实验性质，符合电影中所表现的那种在荒凉的环境中主人公贪婪及人性泯灭的主题，推荐试听。

对电影《金刚狼》的一句话影评

刻画过的巍峨 — Mon, 06 Apr 2009 16:16:02 GMT

刚看过网上泄露的版本，一部传统的好莱坞爆米花式的超级英雄电影，快速华丽的剪辑，震撼的音效及多方位的摄影，剧情则略显单薄与简单，演员表演基本把握角色特点。由于大部分的特效没有完成，未免有些不甚尽兴之感，期待完整的版本。

大师的西部梦

刻画过的巍峨 — Tue, 31 Mar 2009 18:52:00 GMT

记得几年前第一次看到《荒野大镖客》这部电影的时候，怀揣的是一种对这部影片盛名的崇敬以及对塞尔乔·莱昂内这名曾拍出过《美国往事》这种带有史诗悲壮气质影片的导演的一种膜拜的心情，不过当时我却并不知道这是一部翻拍片，更没有想到它的原型会是一部日本武士电影——黑泽明的《用心棒》。

现在看来这无疑是一次成功的翻拍，莱昂内在基本不改变原作结构的基础上将主人公的性格由原作中三船敏郎的狂傲不羁改变为克林特·伊斯特伍德的冷酷内敛，个人认为这是一个十分有效而大胆的改变，在符合演员个人气质的同时也体现出了东西方对各自文化中的英雄形象的差异，也形成了莱昂内镖客三部曲后两部中主角形象的基本构架，同时也使伊斯特伍德这种看上去有些邋遢和迷离的西部牛仔形象成为西部片历史上的一个异数。

其实作为原作的《用心棒》本身就带有浓重的西部片风格：孤胆英雄、荒凉的小镇、小镇上的恶势力、利益冲突、决斗等等作为传统西部片必备的要素在这部电影中全部包括，只是影片将故事的发生地点转移到了武士道盛行时期的日本。应该说本片是黑泽明这位日本电影圣哲对发源于美国的西部片的一种真诚的致敬和成功的挑战，也算是圆了自己的一个西部梦。无法想象如果在条件允许的情况下让黑泽明到美国拍摄一部真正意义的西部片会是一种什么样的盛况。其实从本质和精神层面来讲西部片和武士片应该是基本一致的，片中作为主角的牛仔和武士都会遵从基本相似的道义精神来支配他们的行为，无论这种道义精神是善是恶，而最终的结局也大都是惩恶扬善，邪不胜正。这也解释了为何两种相隔重洋的电影类型可以如此完美的交汇与融合。

而翻拍之作《荒野大镖客》的导演来自意大利的塞尔乔·莱昂内更是作为一个异国导演拍摄了一部纯粹的意式西部片——也就是常被人提起的“通心粉西部片”——，这对于西部片来说无疑也是一次国际化的发展。莱昂内在片中摒弃了美国西部片鼻祖约翰·福特的很多传统的拍摄手法，使得片中英雄的形象更加孤独与桀骜，恶人形象更加的丑陋与伪善；人性善更加的无私与含蓄，人性恶更加的赤裸与残酷；而与此同时莱昂内也在片中运用了一些幽默的桥段，使得“通心粉西部片”在风格上更加的多元化，更加的趋向于一种“杂烩”式的潮流；而在传统的约翰·福特式的西部片中经常可以看到的爱情场面也基本上被莱昂内所屏蔽，这也使得主人公的形象更加有一种独行侠的意味。这些改变也一直延续到了莱昂内之后的西部片之中，从而也奠定了其在西部片发展史上的不朽地位。而作为一部经典的翻拍片，莱昂内也通过本片实现了自己的西部梦，同时也使得作为原作的导演黑泽明的西部梦更加的完美与闪耀。

第七十五届奥斯卡奖项名单

刻画过的巍峨 — Sat, 28 Mar 2009 19:14:00 GMT

2002 (75th)

ACTOR IN A LEADING ROLE

*	*Adrien Brody -- The Pianist* {"Wladyslaw Szpilman"}**

Nicolas Cage -- Adaptation {"Charlie Kaufman & Donald Kaufman"}

Michael Caine -- The Quiet American {"Thomas Fowler"}

Daniel Day-Lewis -- Gangs of New York {"Bill 'The Butcher' Cutting"}

Jack Nicholson -- About Schmidt {"Warren Schmidt"}

ACTOR IN A SUPPORTING ROLE

*	*Chris Cooper -- Adaptation* {"John Laroche"}**

Ed Harris -- The Hours {"Richard Brown"}

Paul Newman -- Road to Perdition {"John Rooney"}

John C. Reilly -- Chicago {"Amos Hart"}

Christopher Walken -- Catch Me If You Can {"Frank Abagnale"}

ACTRESS IN A LEADING ROLE

Salma Hayek -- Frida {"Frida Kahlo"}

*	*Nicole Kidman -- The Hours* {"Virginia Woolf"}**

Diane Lane -- Unfaithful {"Connie Sumner"}

Julianne Moore -- Far from Heaven {"Cathy Whitaker"}

Renée Zellweger -- Chicago {"Roxie Hart"}

ACTRESS IN A SUPPORTING ROLE

Kathy Bates -- About Schmidt {"Roberta Hertzel"}

Julianne Moore -- The Hours {"Laura Brown"}

Queen Latifah -- Chicago {"Matron Mama Morton"}

Meryl Streep -- Adaptation {"Susan Orlean"}

*	*Catherine Zeta-Jones -- Chicago* {"Velma Kelly"}**

ANIMATED FEATURE FILM

Ice Age -- Chris Wedge

Lilo & Stitch -- Chris Sanders

Spirit: Stallion of the Cimarron -- Jeffrey Katzenberg

*	Spirited Away -- Hayao Miyazaki

Treasure Planet -- Ron Clements

ART DIRECTION

*	Chicago -- Art Direction: John Myhre; Set Decoration: Gordon Sim

Frida -- Art Direction: Felipe Fernandez del Paso; Set Decoration: Hania Robledo

Gangs of New York -- Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo

The Lord of the Rings: The Two Towers -- Art Direction: Grant Major; Set Decoration: Dan Hennah and Alan Lee

Road to Perdition -- Art Direction: Dennis Gassner; Set Decoration: Nancy Haigh

CINEMATOGRAPHY

Chicago -- Dion Beebe

Far from Heaven -- Edward Lachman

Gangs of New York -- Michael Ballhaus

The Pianist -- Pawel Edelman

*	Road to Perdition -- Conrad L. Hall

COSTUME DESIGN

*	Chicago -- Colleen Atwood

Frida -- Julie Weiss

Gangs of New York -- Sandy Powell

The Hours -- Ann Roth

The Pianist -- Anna Sheppard

DIRECTING

Chicago -- Rob Marshall

Gangs of New York -- Martin Scorsese

The Hours -- Stephen Daldry

*	The Pianist -- Roman Polanski

Talk to Her -- Pedro Almodóvar

DOCUMENTARY (Feature)

*	Bowling for Columbine -- Michael Moore, Michael Donovan

Daughter from Danang -- Gail Dolgin, Vicente Franco

Prisoner of Paradise -- Malcolm Clarke, Stuart Sender

Spellbound -- Jeffrey Blitz, Sean Welch

Winged Migration -- Jacques Perrin

DOCUMENTARY (Short Subject)

The Collector of Bedford Street -- Alice Elliott

Mighty Times: The Legacy of Rosa Parks -- Robert Hudson, Bobby Houston

*	Twin Towers -- Bill Guttentag, Robert David Port

Why Can't We Be a Family Again? -- Roger Weisberg, Murray Nossel

FILM EDITING

*	Chicago -- Martin Walsh

Gangs of New York -- Thelma Schoonmaker

The Hours -- Peter Boyle

The Lord of the Rings: The Two Towers -- Michael Horton

The Pianist -- Hervé de Luze

FOREIGN LANGUAGE FILM

El Crimen del Padre Amaro -- Mexico

Hero -- People's Republic of China

The Man without a Past -- Finland

*	Nowhere in Africa -- Germany

Zus & Zo -- The Netherlands

MAKEUP

*	Frida -- John Jackson, Beatrice De Alba

The Time Machine -- John M. Elliott, Jr., Barbara Lorenz

MUSIC (Original Score)

Catch Me If You Can -- John Williams

Far from Heaven -- Elmer Bernstein

*	Frida -- Elliot Goldenthal

The Hours -- Philip Glass

Road to Perdition -- Thomas Newman

MUSIC (Original Song)

"Burn It Blue" from Frida -- Music by Elliot Goldenthal; Lyric by Julie Taymor

"Father and Daughter" from The Wild Thornberrys Movie -- Music and Lyric by Paul Simon

"The Hands That Built America" from Gangs of New York -- Music and Lyric by Bono, The Edge, Adam Clayton and Larry Mullen

"I Move On" from Chicago -- Music by John Kander; Lyric by Fred Ebb

*	*"Lose Yourself" from 8 Mile* -- Music by Eminem, Jeff Bass and Luis Resto; Lyric by Eminem**

BEST PICTURE

*	Chicago -- Martin Richards, Producer

Gangs of New York -- Alberto Grimaldi and Harvey Weinstein, Producers

The Hours -- Scott Rudin and Robert Fox, Producers

The Lord of the Rings: The Two Towers -- Barrie M. Osborne, Fran Walsh and Peter Jackson, Producers

The Pianist -- Roman Polanski, Robert Benmussa and Alain Sarde, Producers

SHORT FILM (Animated)

The Cathedral -- Tomek Baginski

*	The ChubbChubbs! -- Eric Armstrong

Das Rad -- Chris Stenner, Heidi Wittlinger

Mike's New Car -- Pete Docter, Roger Gould

Mt. Head -- Koji Yamamura

SHORT FILM (Live Action)

Fait D'Hiver -- Dirk Beliën, Anja Daelemans

I'll Wait for the Next One... (J'Attendrai Le Suivant...) -- Philippe Orreindy, Thomas Gaudin

Inja (Dog) -- Steven Pasvolsky, Joe Weatherstone

Johnny Flynton -- Lexi Alexander, Alexander Buono

*	This Charming Man (Der Er En Yndig Mand) -- Martin Strange-Hansen, Mie Andreasen

SOUND

*	Chicago -- Michael Minkler, Dominick Tavella, David Lee

Gangs of New York -- Tom Fleischman, Eugene Gearty, Ivan Sharrock

The Lord of the Rings: The Two Towers -- Christopher Boyes, Michael Semanick, Michael Hedges, Hammond Peek

Road to Perdition -- Scott Millan, Bob Beemer, John Patrick Pritchett

Spider-Man -- Kevin O'Connell, Greg P. Russell, Ed Novick

SOUND EDITING

*	The Lord of the Rings: The Two Towers -- Ethan Van der Ryn, Michael Hopkins

Minority Report -- Richard Hymns, Gary Rydstrom

Road to Perdition -- Scott A. Hecker

VISUAL EFFECTS

*	The Lord of the Rings: The Two Towers -- Jim Rygiel, Joe Letteri, Randall William Cook, Alex Funke

Spider-Man -- John Dykstra, Scott Stokdyk, Anthony LaMolinara, John Frazier

Star Wars Episode II Attack of the Clones -- Rob Coleman, Pablo Helman, John Knoll, Ben Snow

WRITING (Adapted Screenplay)

About a Boy -- Screenplay by Peter Hedges and Chris Weitz & Paul Weitz

Adaptation -- Screenplay by Charlie Kaufman and Donald Kaufman

Chicago -- Screenplay by Bill Condon

The Hours -- Screenplay by David Hare

*	The Pianist -- Screenplay by Ronald Harwood

WRITING (Original Screenplay)

Far from Heaven -- Written by Todd Haynes

Gangs of New York -- Screenplay by Jay Cocks and Steve Zaillian and Kenneth Lonergan; Story by Jay Cocks

My Big Fat Greek Wedding -- Written by Nia Vardalos

*	Talk to Her -- Written by Pedro Almodóvar

Y Tu Mamá También -- Written by Carlos Cuarón and Alfonso Cuarón

HONORARY AWARD

*	To Peter O'Toole, whose remarkable talents have provided cinema history with some of its most memorable characters.

SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)

To ALIAS/WAVEFRONT for the development of a 3D animation, dynamics, modeling and rendering production tool known as Maya. With its significant and dominant impact on the motion picture industry, the Maya software package offers a robust and widely used commercial visual effects tool with a rich infrastructure for extension and customization. [Digital Imaging Technology]

To ARNOLD & RICHTER CINE TECHNIK and PANAVISION INC., for their continuing development and innovation in the design and manufacturing of advanced camera systems specifically designed for the motion picture entertainment industry. With a commitment that lies beyond the usual commercial considerations, these two manufacturers continue to lead the industry in developing and introducing products that have defined the state of the art in motion picture camera technology. [Camera]

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

To GLENN SANDERS and HOWARD STARK of Zaxcom for the concept, design and engineering of the portable Deva Digital Audio Disk Recorder. This innovative design employs advanced hard disk recording technology and digital audio techniques for use in both production and post-production recording applications. [Sound]

To MARK ELENDT, PAUL H. BRESLIN, GREG HERMANOVIC and KIM DAVIDSON for their continued development of the procedural modeling and animation components of their Prisms program, as exemplified in the Houdini software package. Through a procedural building-block process, the Houdini software is used to simulate natural phenomena using particle effects and complex three-dimensional models. [Digital Imaging Technology]

To DR. LESLIE GUTIERREZ, DIANE E. KESTNER, JAMES MERRILL and DAVID NIKLEWICZ for the design and development of the Kodak Vision Premier Color Print Film, 2393. This film stock provides filmmakers with enhanced color saturation, higher contrast and darker blacks, producing a bold, colorful 'look' on the theater screen. [Film]

To DEDO WEIGERT for the concept, DR. DEPU JIN for the optical calculations, and FRANZ PETTERS for the mechanical construction of the Dedolight 400D. This uniquely designed set light provides superior performance, reliability and ease of use. Combined with its excellent array of accessories, the Dedolight 400D is an outstanding engineering achievement. [Lighting]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

*	To DICK WALSH for the development of the PDI/DreamWorks Facial Animation System. This effective software simulation system is used to create and control natural, expressive, highly-nuanced facial animation on a wide range of computer-generated characters. [Digital Imaging Technology]

To THOMAS DRIEMEYER and to the TEAM OF MATHEMATICIANS, PHYSICISTS AND SOFTWARE ENGINEERS OF MENTAL IMAGES for their contributions to the Mental Ray rendering software for motion pictures. Mental Ray is a highly programmable computer-graphics renderer incorporating ray tracing and global illumination to realistically simulate the behavior of light in computer-generated imagery. [Digital Imaging Technology]

To ERIC DANIELS, GEORGE KATANICS, TASSO LAPPAS and CHRIS SPRINGFIELD for the development of the Deep Canvas rendering software. The Deep Canvas software program captures the orginal brush strokes of the traditional background artist to render elements in three dimensions for animated films. [Digital Imaging Technology]

*	To JIM SONGER for his contributions to the technical development of video-assist in the motion picture industry. The work of Jim Songer from 1968 through 1973 led directly to the more widespread acceptance of video-assist in the motion picture industry. [Systems]

To PIERRE CHABERT of Airstar for the introduction of balloons with internal light sources to provide set lighting for the motion picture industry. These helium-filled balloons with internal arrangements for tungsten halogen and HMI light sources, are usable indoors or out, quick to set up, require essentially no rigging and provide a soft light that can cover a very large area. [Lighting]

To RAWDON HAYNE and ROBERT W. JEFFS of Leelium Tubelites for their contributions to the development of internally lit balloons for motion picture lighting. These helium-filled balloons with internal arrangements for tungsten halogen and HMI light sources, are usable indoors or out, quick to set up, require essentially no rigging and provide a soft light that can cover a very large area. [Lighting]

JOHN A. BONNER MEDAL OF COMMENDATION

*	To Curt R. Behlmer in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

*	To Richard B. Glickman in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

第七十四届奥斯卡奖项名单

刻画过的巍峨 — Sat, 28 Mar 2009 19:07:00 GMT

2001 (74th)

ACTOR IN A LEADING ROLE

Russell Crowe -- A Beautiful Mind {"John Nash"}

Sean Penn -- I Am Sam {"Sam Dawson"}

Will Smith -- Ali {"Muhammad Ali"}

*	*Denzel Washington -- Training Day* {"Alonzo"}**

Tom Wilkinson -- In the Bedroom {"Matt Fowler"}

ACTOR IN A SUPPORTING ROLE

*	*Jim Broadbent -- Iris* {"John Bayley"}**

Ethan Hawke -- Training Day {"Jake"}

Ben Kingsley -- Sexy Beast {"Don Logan"}

Ian McKellen -- The Lord of the Rings: The Fellowship of the Ring {"Gandalf"}

Jon Voight -- Ali {"Howard Cosell"}

ACTRESS IN A LEADING ROLE

*	*Halle Berry -- Monster's Ball* {"Leticia Musgrove"}**

Judi Dench -- Iris {"Iris Murdoch"}

Nicole Kidman -- Moulin Rouge {"Satine"}

Sissy Spacek -- In the Bedroom {"Ruth Fowler"}

Renée Zellweger -- Bridget Jones's Diary {"Bridget Jones"}

ACTRESS IN A SUPPORTING ROLE

*	*Jennifer Connelly -- A Beautiful Mind* {"Alicia Nash"}**

Helen Mirren -- Gosford Park {"Mrs. Wilson"}

Maggie Smith -- Gosford Park {"Constance, Countess of Trentham"}

Marisa Tomei -- In the Bedroom {"Natalie Strout"}

Kate Winslet -- Iris {"Young Iris Murdoch"}

ANIMATED FEATURE FILM

Jimmy Neutron: Boy Genius -- Steve Oedekerk, John A. Davis

Monsters, Inc. -- Pete Docter, John Lasseter

*	Shrek -- Aron Warner

ART DIRECTION

Amélie -- Art Direction: Aline Bonetto; Set Decoration: Marie-Laure Valla

Gosford Park -- Art Direction: Stephen Altman; Set Decoration: Anna Pinnock

Harry Potter and the Sorcerer's Stone -- Art Direction: Stuart Craig; Set Decoration: Stephenie McMillan

The Lord of the Rings: The Fellowship of the Ring -- Art Direction: Grant Major; Set Decoration: Dan Hennah

*	Moulin Rouge -- Art Direction: Catherine Martin; Set Decoration: Brigitte Broch

CINEMATOGRAPHY

Amélie -- Bruno Delbonnel

Black Hawk Down -- Slawomir Idziak

*	The Lord of the Rings: The Fellowship of the Ring -- Andrew Lesnie

The Man Who Wasn't There -- Roger Deakins

Moulin Rouge -- Donald M. McAlpine

COSTUME DESIGN

The Affair of the Necklace -- Milena Canonero

Gosford Park -- Jenny Beavan

Harry Potter and the Sorcerer's Stone -- Judianna Makovsky

The Lord of the Rings: The Fellowship of the Ring -- Ngila Dickson, Richard Taylor

*	Moulin Rouge -- Catherine Martin, Angus Strathie

DIRECTING

*	A Beautiful Mind -- Ron Howard

Black Hawk Down -- Ridley Scott

Gosford Park -- Robert Altman

The Lord of the Rings: The Fellowship of the Ring -- Peter Jackson

Mulholland Drive -- David Lynch

DOCUMENTARY (Feature)

Children Underground -- Edet Belzberg

LaLee's Kin: The Legacy of Cotton -- Susan Froemke, Deborah Dickson

*	Murder on a Sunday Morning -- Jean-Xavier de Lestrade, Denis Poncet

Promises -- Justine Shapiro, B.Z. Goldberg

War Photographer -- Christian Frei

DOCUMENTARY (Short Subject)

Artists and Orphans: A True Drama -- Lianne Klapper McNally

Sing! -- Freida Lee Mock, Jessica Sanders

*	Thoth -- Sarah Kernochan, Lynn Appelle

FILM EDITING

A Beautiful Mind -- Mike Hill, Dan Hanley

*	Black Hawk Down -- Pietro Scalia

The Lord of the Rings: The Fellowship of the Ring -- John Gilbert

Memento -- Dody Dorn

Moulin Rouge -- Jill Bilcock

FOREIGN LANGUAGE FILM

Amélie -- France

Elling -- Norway

Lagaan -- India

*	No Man's Land -- Bosnia & Herzegovina

Son of the Bride -- Argentina

MAKEUP

A Beautiful Mind -- Greg Cannom, Colleen Callaghan

*	The Lord of the Rings: The Fellowship of the Ring -- Peter Owen, Richard Taylor

Moulin Rouge -- Maurizio Silvi, Aldo Signoretti

MUSIC (Original Score)

A.I. Artificial Intelligence -- John Williams

A Beautiful Mind -- James Horner

Harry Potter and the Sorcerer's Stone -- John Williams

*	The Lord of the Rings: The Fellowship of the Ring -- Howard Shore

Monsters, Inc. -- Randy Newman

MUSIC (Original Song)

*	*"If I Didn't Have You" from Monsters, Inc.* -- Music and Lyric by Randy Newman**

"May It Be" from The Lord of the Rings: The Fellowship of the Ring -- Music and Lyric by Enya, Nicky Ryan and Roma Ryan

"There You'll Be" from Pearl Harbor -- Music and Lyric by Diane Warren

"Until" from Kate & Leopold -- Music and Lyric by Sting

"Vanilla Sky" from Vanilla Sky -- Music and Lyric by Paul McCartney

BEST PICTURE

*	A Beautiful Mind -- Brian Grazer and Ron Howard, Producers

Gosford Park -- Robert Altman, Bob Balaban and David Levy, Producers

In the Bedroom -- Graham Leader, Ross Katz and Todd Field, Producers

The Lord of the Rings: The Fellowship of the Ring -- Peter Jackson, Fran Walsh and Barrie M. Osborne, Producers

Moulin Rouge -- Martin Brown, Baz Luhrmann and Fred Baron, Producers

SHORT FILM (Animated)

Fifty Percent Grey -- Ruairi Robinson, Seamus Byrne

*	For the Birds -- Ralph Eggleston

Give Up Yer Aul Sins -- Cathal Gaffney, Darragh O'Connell

Strange Invaders -- Cordell Barker

Stubble Trouble -- Joseph E. Merideth

SHORT FILM (Live Action)

*	the accountant -- Ray McKinnon, Lisa Blount

Copy Shop -- Virgil Widrich

Gregor's Greatest Invention -- Johannes Kiefer

A Man Thing (Meska Sprawa) -- Slawomir Fabicki, Bogumil Godfrejow

Speed for Thespians -- Kalman Apple, Shameela Bakhsh

SOUND

Amélie -- Vincent Arnardi, Guillaume Leriche, Jean Umansky

*	Black Hawk Down -- Michael Minkler, Myron Nettinga, Chris Munro

The Lord of the Rings: The Fellowship of the Ring -- Christopher Boyes, Michael Semanick, Gethin Creagh, Hammond Peek

Moulin Rouge -- Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics

Pearl Harbor -- Kevin O'Connell, Greg P. Russell, Peter J. Devlin

SOUND EDITING

Monsters, Inc. -- Gary Rydstrom, Michael Silvers

*	Pearl Harbor -- George Watters II, Christopher Boyes

VISUAL EFFECTS

A.I. Artificial Intelligence -- Dennis Muren, Scott Farrar, Stan Winston, Michael Lantieri

*	The Lord of the Rings: The Fellowship of the Ring -- Jim Rygiel, Randall William Cook, Richard Taylor, Mark Stetson

Pearl Harbor -- Eric Brevig, John Frazier, Ed Hirsh, Ben Snow

WRITING (Screenplay Based on Material Previously Produced or Published)

*	A Beautiful Mind -- Written by Akiva Goldsman

Ghost World -- Written by Daniel Clowes & Terry Zwigoff

In the Bedroom -- Screenplay by Rob Festinger and Todd Field

The Lord of the Rings: The Fellowship of the Ring -- Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson

Shrek -- Written by Ted Elliott & Terry Rossio and Joe Stillman and Roger S.H. Schulman

WRITING (Screenplay Written Directly for the Screen)

Amélie -- Screenplay by Guillaume Laurant and Jean-Pierre Jeunet; Dialogue by Guillaume Laurant

*	Gosford Park -- Written by Julian Fellowes

Memento -- Screenplay by Christopher Nolan; Story by Jonathan Nolan

Monster's Ball -- Written by Milo Addica & Will Rokos

The Royal Tenenbaums -- Written by Wes Anderson & Owen Wilson

JEAN HERSHOLT HUMANITARIAN AWARD

*	Arthur Hiller

HONORARY AWARD

*	To Sidney Poitier in recognition of his remarkable accomplishments as an artist and as a human being.

*	To Robert Redford: Actor, director, producer, creator of Sundance, inspiration to independent and innovative filmmakers everywhere.

GORDON E. SAWYER AWARD

*	Edmund M. Di Giulio

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

To JOHN M. EARGLE, D.B. "DON" KEELE and MARK E. ENGEBRETSON for the concept, design and engineering of the modern constant-directivity, direct radiator style motion picture loudspeaker systems. The work of John M. Eargle, D.B. "Don" Keele and Mark E. Engebretson has resulted in the over 20-year dominance of constant-directivity, direct radiator bass style cinema loudspeaker systems. [Sound]

To IAIN NEIL for the concept and optical design and AL SAIKI for the mechanical design of the Panavision Primo Macro Zoom Lens (PMZ). This compact, wide-angle, macro focus lens enhances and expands the picture-capturing ability, both technically and artistically, of the cinematographer. It is the first cine lens that allows macro photography while still being able to zoom. [Lenses and Filters]

To FRANZ KRAUS, JOHANNES STEURER and WOLFGANG RIEDEL for the design and development of the ARRILASER Film Recorder. The ARRILASER film recorder demonstrates a high level of engineering resulting in a compact, user-friendly, low-maintenance device while at the same time maintaining outstanding speed, exposure ratings and image quality. [Special Photographic]

To PETER KURAN for the invention, and SEAN COUGHLIN, JOSEPH A. OLIVIER and WILLIAM CONNER for the engineering and development of the RCI-Color Film Restoration Process. This photo-chemical process restores color to faded color negative using off-the-shelf film stocks with a unique approach. The resulting film intermediate can be used to create a new internegative. [Laboratory]

To MAKOTO TSUKADA, SHOJI KANEKO and the TECHNICAL STAFF OF IMAGICA CORPORATION, and DAIJIRO FUJIE of Nikon Corporation for the engineering excellence and the impact on the motion picture industry of the Imagica 65/35 Multi-Format Optical Printer. This liquid-gate optical printer offers ease of set-up and change-over to various formats from 35mm to 65mm 15-perf with both additive and subtractive lamp houses. [Special Photographic]

To STEVEN GERLACH, GREGORY FARRELL and CHRISTIAN LURIN for the design, engineering and implementation of the Kodak Panchromatic Sound Recording Film. Allowing all four soundtrack systems to be exposed on a single negative with relative ease, this stock has allowed single inventory prints, facilitating the more economic distribution of motion pictures. [Sound]

*	To PAUL J. CONSTANTINE and PETER M. CONSTANTINE for the design and development of the CELCO Digital Film Recorder products. CELCO recorder products have had a significant impact on the industry through continual improvements in their technology. [Special Photographic]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

To PETE ROMANO for the design and development of the Remote AquaCam, an underwater camera housing system for use in motion pictures. The Remote AquaCam brings to the industry an underwater camera housing specifically designed for remote and high-speed operation. Its hydro-dynamic shape facilitates ease of operation for surface hand-held filming, and its remote capabilities allow it to film in confined areas or in situations where an operator cannot be near the camera. [Photography]

To JORDAN KLEIN for his pioneering efforts in the development and application of underwater camera housings for motion pictures. With over 50 years of involvement in the design and development of underwater camera housings, Jordan Klein's work has had significant influence in the field of underwater photography. [Photography]

To BERNARD M. WERNER and WILLIAM GELOW for the engineering and design of filtered line arrays and screen speading compensation as applied to motion picture loudspeaker systems. Employing both tapered line array and filtered line array technologies and unique passive and active filter networks, their work with cinema loudspeakers was both innovative and dedicated specifically to cinema applications. [Sound]

To TOMLINSON HOLMAN for the research and systems integration resulting in the improvement of motion picture loudspeaker systems. For over 20 years Tomlinson Holman has been involved in the research and integration of the constant-directivity, direct radiator bass type of cinema loudspeaker systems. [Sound]

To GEOFF JACKSON and ROGER WOODBURN for their DMS 120S Camera Motor. This well-engineered camera motor features built-in time-lapse programmability and is useful in an unusually wide range of applications, including MOS production filming, high-speed photography, animation and motion control. [Camera]

To THOMAS MAJOR BARRON for the overall concept and design; CHAS SMITH for the structural engineering; and GORDON SEITZ for the mechanical engineering of the Bulldog Motion Control Camera Crane. This motion control camera crane represents an unprecedented combination of long reach, high speed, and a novel approach to its transport, which allows a very rapid setup on location. [Camera Cranes]

To JOHN R. ANDERSON, JIM HOURIHAN, CARY PHILLIPS and SEBASTIAN MARINO for the development of the ILM Creature Dynamics System. This system makes hair, clothing, skin, flesh and muscle simulation both directable and integrated within a character animation and rigging environment. [Digital Imaging Technology]

To STEVE SULLIVAN and ERIC R.L. SCHAFER for the development of the ILM Motion and Structure Recovery System (MARS). The MARS system provides analysis of camera motion and object motion, and their dimensions. It employs a rich set of user-interface tools and sophisticated algorithms. [Digital Imaging Technology]

*	To CARL LUDWIG and JOHN M. CONSTANTINE, JR. for their contributions to CELCO Digital Film Recorder products. CELCO recorder products have had a significant impact on the industry through continual improvements in their technology. [Special Photographic]

To BILL SPITZAK, PAUL VAN CAMP, JONATHAN EGSTAD and PRICE PETHEL for their pioneering effort on the NUKE-2D Compositing Software. The Nuke-2D compositing software allows for the creation of complex interactive digital composites using relatively modest computing hardware. [Digital Imaging Technology]

To DR. LANCE J. WILLIAMS for his pioneering influence in the field of computer-generated animation and effects for motion pictures. The ongoing influence of Lance Williams is exemplified in his three seminal papers "Casting Shadows on Curved Surfaces," "Pyramidal Parametrics" and "View Interpolation for Image Synthesis." [Digital Imaging Technology]

To DR. UWE SASSENBERG and ROLF SCHNEIDER for the development of "3D Equalizer," an advanced and robust camera and object match-moving system. This dominant commercial tracking system provides "survey-free" tracking, which significantly reduces the need for painstaking, error-prone measurements on sets. [Digital Imaging Technology]

*	To DR. GARLAND STERN for the concept and implementation of the Cel Paint Software System. All current cel painting applications in the motion picture industry can be traced back to the original idea and pioneering implementation of Garland Stern. [Digital Imaging Technology]

*	To MIC RODGERS and MATT SWEENEY for the concept, design and realization of the "Mic Rig." This self-contained, low bed picture car carrier and camera platform enables the safe, economic and realistic filming of action sequences that may involve principal actors and dialogue. [Stage Operations]

AWARD OF COMMENDATION

To Rune Ericson for his pioneering development and 30 years of dedication to the Super 16mm format for motion pictures. The Super 16mm film format has achieved a significant impact on the worldwide film industry by playing a major role in empowering low budget films to be produced for theatrical release.

To the American Society of Cinematographers (ASC) for the continued publication of the "American Cinematographer Manual." Born from "The Cinematographic Annual," first published by the ASC in 1930, the "American Cinematographer Manual" has become an essential bible for cinematographers. Currently in its eighth edition, this premier reference manual has had a significant impact on decades of motion picture photography around the world.

JOHN A. BONNER MEDAL OF COMMENDATION

*	To Ray Feeney in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

第七十三届奥斯卡奖项名单

刻画过的巍峨 — Sat, 28 Mar 2009 19:00:00 GMT

2000 (73rd)

ACTOR IN A LEADING ROLE

Javier Bardem -- Before Night Falls {"Reinaldo Arenas"}

*	*Russell Crowe -- Gladiator* {"Maximus Decimus Meridius"}**

Tom Hanks -- Cast Away {"Chuck Noland"}

Ed Harris -- Pollock {"Jackson Pollock"}

Geoffrey Rush -- Quills {"The Marquis de Sade"}

ACTOR IN A SUPPORTING ROLE

Jeff Bridges -- The Contender {"President Jackson Evans"}

Willem Dafoe -- Shadow of the Vampire {"Max Schreck"}

*	*Benicio Del Toro -- Traffic* {"Javier Rodriguez"}**

Albert Finney -- Erin Brockovich {"Ed Masry"}

Joaquin Phoenix -- Gladiator {"Commodus"}

ACTRESS IN A LEADING ROLE

Joan Allen -- The Contender {"Laine Hanson"}

Juliette Binoche -- Chocolat {"Vianne Rocher"}

Ellen Burstyn -- Requiem for a Dream {"Sara Goldfarb"}

Laura Linney -- You Can Count on Me {"Samantha 'Sammy' Prescott"}

*	*Julia Roberts -- Erin Brockovich* {"Erin Brockovich"}**

ACTRESS IN A SUPPORTING ROLE

Judi Dench -- Chocolat {"Armande Voizin"}

*	*Marcia Gay Harden -- Pollock* {"Lee Krasner"}**

Kate Hudson -- Almost Famous {"Penny Lane"}

Frances McDormand -- Almost Famous {"Elaine Miller"}

Julie Walters -- Billy Elliot {"Mrs. Wilkinson"}

ART DIRECTION

*	Crouching Tiger, Hidden Dragon -- Tim Yip

Dr. Seuss' How the Grinch Stole Christmas -- Art Direction: Michael Corenblith; Set Decoration: Merideth Boswell

Gladiator -- Art Direction: Arthur Max; Set Decoration: Crispian Sallis

Quills -- Art Direction: Martin Childs; Set Decoration: Jill Quertier

Vatel -- Art Direction: Jean Rabasse; Set Decoration: Françoise Benoît-Fresco

CINEMATOGRAPHY

*	Crouching Tiger, Hidden Dragon -- Peter Pau

Gladiator -- John Mathieson

Malèna -- Lajos Koltai

O Brother, Where Art Thou? -- Roger Deakins

The Patriot -- Caleb Deschanel

COSTUME DESIGN

Crouching Tiger, Hidden Dragon -- Tim Yip

Dr. Seuss' How the Grinch Stole Christmas -- Rita Ryack

*	Gladiator -- Janty Yates

102 Dalmatians -- Anthony Powell

Quills -- Jacqueline West

DIRECTING

Billy Elliot -- Stephen Daldry

Crouching Tiger, Hidden Dragon -- Ang Lee

Erin Brockovich -- Steven Soderbergh

Gladiator -- Ridley Scott

*	Traffic -- Steven Soderbergh

DOCUMENTARY (Feature)

*	Into the Arms of Strangers: Stories of the Kindertransport -- Mark Jonathan Harris, Deborah Oppenheimer

Legacy -- Tod Lending

Long Night's Journey into Day -- Frances Reid, Deborah Hoffmann

Scottsboro: An American Tragedy -- Barak Goodman, Daniel Anker

Sound and Fury -- Josh Aronson, Roger Weisberg

DOCUMENTARY (Short Subject)

*	Big Mama -- Tracy Seretean

Curtain Call -- Chuck Braverman, Steve Kalafer

Dolphins -- Greg MacGillivray, Alec Lorimore

The Man on Lincoln's Nose -- Daniel Raim

On Tiptoe: Gentle Steps to Freedom -- Eric Simonson, Leelai Demoz

FILM EDITING

Almost Famous -- Joe Hutshing, Saar Klein

Crouching Tiger, Hidden Dragon -- Tim Squyres

Gladiator -- Pietro Scalia

*	Traffic -- Stephen Mirrione

Wonder Boys -- Dede Allen

FOREIGN LANGUAGE FILM

Amores Perros -- Mexico

*	Crouching Tiger, Hidden Dragon -- Taiwan

Divided We Fall -- Czech Republic

Everybody Famous! -- Belgium

The Taste of Others -- France

MAKEUP

The Cell -- Michèle Burke, Edouard Henriques

*	Dr. Seuss' How the Grinch Stole Christmas -- Rick Baker, Gail Ryan

Shadow of the Vampire -- Ann Buchanan, Amber Sibley

MUSIC (Original Score)

Chocolat -- Rachel Portman

*	Crouching Tiger, Hidden Dragon -- Tan Dun

Gladiator -- Hans Zimmer

Malèna -- Ennio Morricone

The Patriot -- John Williams

MUSIC (Original Song)

"A Fool In Love" from Meet the Parents -- Music and Lyric by Randy Newman

"I've Seen It All" from Dancer in the Dark -- Music by Björk; Lyric by Lars von Trier and Sjon Sigurdsson

"A Love Before Time" from Crouching Tiger, Hidden Dragon -- Music by Jorge Calandrelli and Tan Dun; Lyric by James Schamus

"My Funny Friend and Me" from The Emperor's New Groove -- Music by Sting and David Hartley; Lyric by Sting

*	*"Things Have Changed" from Wonder Boys* -- Music and Lyric by Bob Dylan**

BEST PICTURE

Chocolat -- David Brown, Kit Golden and Leslie Holleran, Producers

Crouching Tiger, Hidden Dragon -- Bill Kong, Hsu Li Kong and Ang Lee, Producers

Erin Brockovich -- Danny DeVito, Michael Shamberg and Stacey Sher, Producers

*	Gladiator -- Douglas Wick, David Franzoni and Branko Lustig, Producers

Traffic -- Edward Zwick, Marshall Herskovitz and Laura Bickford, Producers

SHORT FILM (Animated)

*	Father and Daughter -- Michael Dudok de Wit

The Periwig-Maker -- Steffen Schäffler, Annette Schäffler

Rejected -- Don Hertzfeldt

SHORT FILM (Live Action)

By Courier -- Peter Riegert, Ericka Frederick

One Day Crossing -- Joan Stein, Christina Lazaridi

*	Quiero Ser (I want to be...) -- Florian Gallenberger

Seraglio -- Gail Lerner, Colin Campbell

A Soccer Story (Uma Historia de Futebol) -- Paulo Machline

SOUND

Cast Away -- Randy Thom, Tom Johnson, Dennis Sands, William B. Kaplan

*	Gladiator -- Scott Millan, Bob Beemer, Ken Weston

The Patriot -- Kevin O'Connell, Greg P. Russell, Lee Orloff

The Perfect Storm -- John Reitz, Gregg Rudloff, David Campbell, Keith A. Wester

U-571 -- Steve Maslow, Gregg Landaker, Rick Kline, Ivan Sharrock

SOUND EDITING

Space Cowboys -- Alan Robert Murray, Bub Asman

*	U-571 -- Jon Johnson

VISUAL EFFECTS

*	Gladiator -- John Nelson, Neil Corbould, Tim Burke, Rob Harvey

Hollow Man -- Scott E. Anderson, Craig Hayes, Scott Stokdyk, Stan Parks

The Perfect Storm -- Stefen Fangmeier, Habib Zargarpour, John Frazier, Walt Conti

WRITING (Screenplay Based on Material Previously Produced or Published)

Chocolat -- Screenplay by Robert Nelson Jacobs

Crouching Tiger, Hidden Dragon -- Written by Wang Hui Ling and James Schamus and Tsai Kuo Jung

O Brother, Where Art Thou? -- Written by Ethan Coen & Joel Coen

*	Traffic -- Screenplay by Stephen Gaghan

Wonder Boys -- Screenplay by Steve Kloves

WRITING (Screenplay Written Directly for the Screen)

*	Almost Famous -- Written by Cameron Crowe

Billy Elliot -- Written by Lee Hall

Erin Brockovich -- Written by Susannah Grant

Gladiator -- Screenplay by David Franzoni and John Logan and William Nicholson; Story by David Franzoni

You Can Count on Me -- Written by Kenneth Lonergan

HONORARY AWARD

*	To Jack Cardiff, master of light and color.

*	To Ernest Lehman, in appreciation of a body of varied and enduring work.

IRVING G. THALBERG MEMORIAL AWARD

*	Dino De Laurentiis

GORDON E. SAWYER AWARD

*	Irwin W. Young

SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)

To ROB COOK, LOREN CARPENTER and ED CATMULL for their significant advancements to the field of motion picture rendering as exemplified in Pixar's "Renderman." Their broad professional influence in the industry continues to inspire and contribute to the advancement of computer-generated imagery for motion pictures. [Special Photographic]

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

To AL MAYER, SR. and AL MAYER, JR., for the mechanical design, IAIN NEIL for the optical design and BRIAN DANG for the electronic design of the Panavision Millennium XL Camera System. This camera brings the full uncompromised performance of larger heavy-duty cameras to the lightest weight category with ruggedness and advanced features previously expected only in specialized or effects cameras. [Camera]

To JOE WARY, GERALD PAINTER and COLIN F. MOSSMAN for the design and development of the Deluxe Laboratories Multi Roller Film Transport System. This release print system at Deluxe Laboratories utilizes a revolutionary design allowing for higher print volumes, reduced space requirements for loop racks and elevators, and safer operation. [Laboratory]

To ALVAH J. MILLER and PAUL JOHNSON of Lynx Robotics for the electronic and software design of the Lynx C-50 Camera Motor System. This camera motor, operated with programmable microprocessors, achieves an unprecedented range of precisely controlled speeds in stand-alone cameras or when synchronized to motion-control systems. [Camera]

To AKAI DIGITAL for the design and development of the DD8plus digital audio dubber specifically designed for the motion picture industry. [These] digital audio dubbers have afforded the post-production community a faster, more cost-effective means of playing back hundreds of digital audio tracks for pre-mixing or final mixing in creating motion picture sound tracks. They also offer individual track slipping in multiple track configurations, random access recall, and both destructive and non-destructive editing capabilities, eliminating the requirements for razor blade conforming. [Sound]

To FAIRLIGHT for the design and development of the DAD digital audio dubber specifically designed for the motion picture industry. [These] digital audio dubbers have afforded the post-production community a faster, more cost-effective means of playing back hundreds of digital audio tracks for pre-mixing or final mixing in creating motion picture sound tracks. They also offer individual track slipping in multiple track configurations, random access recall, and both destructive and non-destructive editing capabilities, eliminating the requirements for razor blade conforming. [Sound]

To ADVANCED DIGITAL SYSTEMS GROUP (ADSG) for the design and development of the Sony DADR 5000 digital audio dubber specifically designed for the motion picture industry. [These] digital audio dubbers have afforded the post-production community a faster, more cost-effective means of playing back hundreds of digital audio tracks for pre-mixing or final mixing in creating motion picture sound tracks. They also offer individual track slipping in multiple track configurations, random access recall, and both destructive and non-destructive editing capabilities, eliminating the requirements for razor blade conforming. [Sound]

To TIMELINE, INCORPORATED for the design and development of the MMR 8 digital audio dubber specifically designed for the motion picture industry. [These] digital audio dubbers have afforded the post-production community a faster, more cost-effective means of playing back hundreds of digital audio tracks for pre-mixing or final mixing in creating motion picture sound tracks. They also offer individual track slipping in multiple track configurations, random access recall, and both destructive and non-destructive editing capabilities, eliminating the requirements for razor blade conforming. [Sound]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

To LEONARD PINCUS, ASHOT NALBANDYAN, GEORGE JOHNSON, THOMAS KONG and DAVID PRINGLE for the design and development of the SoftSun low pressure xenon long-arc light sources, their power supplies and fixtures. With the ability to dim these very high powered lights at essentially constant Kelvin temperature and without flicker, these units produce a bright and even light source for general set lighting. The availability of very high wattage units allows production to extend the hours of work past the time when the crew would otherwise have "lost the light." [Lighting]

To VIC ARMSTRONG for the refinement and application to the film industry of the Fan Descender for accurately and safely arresting the descent of stunt persons in high freefalls. Considered a standard of the industry, the Fan Descender provides a means for significantly increasing the safety of very high stunt falls. The system permits falls to be made under controlled deceleration and with a highly predictable stopping point without limitation of camera angles. [Stage Operations]

To PHILIP GREENSTREET of Rosco Laboratories for the concept and development of the Roscolight Day/Night Backdrop. This unique photographic scenic backing allows a smooth transition from day to night views with a single backing. The Roscolight backings provide an important new creative tool to filmmakers, saving time, money and stage space. [Stage Operations]

To UDO SCHAUSS, HILDEGARD EBBESMEIER and KARL LENHARDT for the optical design, and RALF LINN and NORBERT BRINKER for the mechanical design of the Schneider Super Cinelux lenses for motion picture projection. These projection lenses provide a significant improvement in the quality of the cinema viewing experience. [Lenses and Filters]

To GLENN M. BERGGREN for the concept, HORST LINGE for research and development, and WOLFGANG REINECKE for the optical design of the ISCO Ultra-Star Plus lenses for motion picture projection. The unique optical design of the Ultra-Star Plus projection lenses achieves unprecedented edge-to-edge uniformity of illumination, combined with a significant increase in screen brightness, thus providing a substantial improvement in the cinema viewing experience. [Lenses and Filters]

To BILL TONDREAU of Kuper Systems, ALVAH J. MILLER and PAUL JOHNSON of Lynx Robotics, and DAVID STUMP of Visual Effects Rental Services for the conception, design and development of data capture systems that enable superior accuracy, efficiency and economy in the creation of composite imagery. These systems digitally record live action camera and axis data with practically no impact on the live action production process, allowing compositing for visual effects to become faster and more cost-effective. [Systems]

To VENKAT KRISHNAMURTHY for the creation of the Paraform Software for 3D Digital Form Development. This system streamlines the creation of 3D computer graphics models by allowing artists to convert the data from automatically scanned physical models into a user-specified configuration of patches well suited for use in computer applications. [Special Photographic]

To GEORGE BORSHUKOV, KIM LIBRERI and DAN PIPONI for the development of a system for image-based rendering allowing choreographed camera movements through computer graphic reconstructed sets. This component of the Manex Visual Effects Virtual Cinematography System provides theatrical-quality virtual settings. [Special Photographic]

To JOHN P. PYTLAK for the development of the Laboratory Aim Density (LAD) system. The LAD system has become the standard method used by film laboratories and digital film recording facilities for the effecient and uniform control of color and exposure in camera negatives, interpositives and duplicate negatives. [Laboratory]

AWARD OF COMMENDATION

*	To Ioan Allen for the concept, Robin Bransbury for the design and Mark Harrah for the implementation of the Trailer Audio Standards Association (TASA) Loudness Standard. The adoption of the TASA loudness standard has led directly to better sound in the cinema for trailers and features alike.

JOHN A. BONNER MEDAL OF COMMENDATION

*	To N. Paul Kenworthy, Jr. in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

第七十二届奥斯卡奖项名单

刻画过的巍峨 — Sat, 28 Mar 2009 18:54:00 GMT

1999 (72nd)

ACTOR IN A LEADING ROLE

Russell Crowe -- The Insider {"Jeffrey Wigand"}

Richard Farnsworth -- The Straight Story {"Alvin Straight"}

Sean Penn -- Sweet and Lowdown {"Emmet Ray"}

*	*Kevin Spacey -- American Beauty* {"Lester Burnham"}**

Denzel Washington -- The Hurricane {"Rubin 'Hurricane' Carter"}

ACTOR IN A SUPPORTING ROLE

*	*Michael Caine -- The Cider House Rules* {"Dr. Wilbur Larch"}**

Tom Cruise -- Magnolia {"Frank T.J. Mackey"}

Michael Clarke Duncan -- The Green Mile {"John Coffey"}

Jude Law -- The Talented Mr. Ripley {"Dickie Greenleaf"}

Haley Joel Osment -- The Sixth Sense {"Cole Sear"}

ACTRESS IN A LEADING ROLE

Annette Bening -- American Beauty {"Carolyn Burnham"}

Janet McTeer -- Tumbleweeds {"Mary Jo Walker"}

Julianne Moore -- The End of the Affair {"Sarah Miles"}

Meryl Streep -- Music of the Heart {"Roberta Guaspari"}

*	*Hilary Swank -- Boys Don't Cry* {"Brandon Teena/Teena Brandon"}**

ACTRESS IN A SUPPORTING ROLE

Toni Collette -- The Sixth Sense {"Lynn Sear"}

*	*Angelina Jolie -- Girl, Interrupted* {"Lisa Rowe"}**

Catherine Keener -- Being John Malkovich {"Maxine"}

Samantha Morton -- Sweet and Lowdown {"Hattie"}

Chloë Sevigny -- Boys Don't Cry {"Lana Tisdel"}

ART DIRECTION

Anna and the King -- Art Direction: Luciana Arrighi; Set Decoration: Ian Whittaker

The Cider House Rules -- Art Direction: David Gropman; Set Decoration: Beth Rubino

*	Sleepy Hollow -- Art Direction: Rick Heinrichs; Set Decoration: Peter Young

The Talented Mr. Ripley -- Art Direction: Roy Walker; Set Decoration: Bruno Cesari

Topsy-Turvy -- Art Direction: Eve Stewart; Set Decoration: Eve Stewart, John Bush

CINEMATOGRAPHY

*	American Beauty -- Conrad L. Hall

The End of the Affair -- Roger Pratt

The Insider -- Dante Spinotti

Sleepy Hollow -- Emmanuel Lubezki

Snow Falling on Cedars -- Robert Richardson

COSTUME DESIGN

Anna and the King -- Jenny Beavan

Sleepy Hollow -- Colleen Atwood

The Talented Mr. Ripley -- Ann Roth, Gary Jones

Titus -- Milena Canonero

*	Topsy-Turvy -- Lindy Hemming

DIRECTING

*	American Beauty -- Sam Mendes

Being John Malkovich -- Spike Jonze

The Cider House Rules -- Lasse Hallström

The Insider -- Michael Mann

The Sixth Sense -- M. Night Shyamalan

DOCUMENTARY (Feature)

Buena Vista Social Club -- Wim Wenders, Ulrich Felsberg

Genghis Blues -- Roko Belic, Adrian Belic

On the Ropes -- Nanette Burstein, Brett Morgen

*	One Day in September -- Arthur Cohn, Kevin Macdonald

Speaking in Strings -- Paola di Florio, Lilibet Foster

DOCUMENTARY (Short Subject)

Eyewitness -- Bert Van Bork

*	King Gimp -- Susan Hannah Hadary, William A. Whiteford

The Wildest Show in the South: The Angola Prison Rodeo -- Simeon Soffer, Jonathan Stack

FILM EDITING

American Beauty -- Tariq Anwar, Christopher Greenbury

The Cider House Rules -- Lisa Zeno Churgin

The Insider -- William Goldenberg, Paul Rubell, David Rosenbloom

*	The Matrix -- Zach Staenberg

The Sixth Sense -- Andrew Mondshein

FOREIGN LANGUAGE FILM

*	All about My Mother -- Spain

Caravan -- Nepal

East-West -- France

Solomon and Gaenor -- United Kingdom

Under the Sun -- Sweden

MAKEUP

Austin Powers: The Spy Who Shagged Me -- Michèle Burke, Mike Smithson

Bicentennial Man -- Greg Cannom

Life -- Rick Baker

*	Topsy-Turvy -- Christine Blundell, Trefor Proud

MUSIC (Original Score)

American Beauty -- Thomas Newman

Angela's Ashes -- John Williams

The Cider House Rules -- Rachel Portman

*	The Red Violin -- John Corigliano

The Talented Mr. Ripley -- Gabriel Yared

MUSIC (Original Song)

"Blame Canada" from South Park: Bigger, Longer & Uncut -- Music and Lyric by Trey Parker and Marc Shaiman

"Music of My Heart" from Music of the Heart -- Music and Lyric by Diane Warren

"Save Me" from Magnolia -- Music and Lyric by Aimee Mann

"When She Loved Me" from Toy Story 2 -- Music and Lyric by Randy Newman

*	*"You'll Be In My Heart" from Tarzan* -- Music and Lyric by Phil Collins**

BEST PICTURE

*	American Beauty -- Bruce Cohen and Dan Jinks, Producers

The Cider House Rules -- Richard N. Gladstein, Producer

The Green Mile -- David Valdes and Frank Darabont, Producers

The Insider -- Michael Mann and Pieter Jan Brugge, Producers

The Sixth Sense -- Frank Marshall, Kathleen Kennedy and Barry Mendel, Producers

SHORT FILM (Animated)

Humdrum -- Peter Peake

My Grandmother Ironed the King's Shirts -- Torill Kove

*	The Old Man and the Sea -- Alexander Petrov

3 Misses -- Paul Driessen

When the Day Breaks -- Wendy Tilby, Amanda Forbis

SHORT FILM (Live Action)

Bror, Min Bror (Teis and Nico) -- Henrik Ruben Genz, Michael W. Horsten

Killing Joe -- Mehdi Norowzian, Steve Wax

Kleingeld (Small Change) -- Marc-Andreas Bochert, Gabriele Lins

Major and Minor Miracles -- Marcus Olsson

*	My Mother Dreams the Satan's Disciples in New York -- Barbara Schock, Tammy Tiehel

SOUND

The Green Mile -- Robert J. Litt, Elliot Tyson, Michael Herbick, Willie D. Burton

The Insider -- Andy Nelson, Doug Hemphill, Lee Orloff

*	The Matrix -- John Reitz, Gregg Rudloff, David Campbell, David Lee

The Mummy -- Leslie Shatz, Chris Carpenter, Rick Kline, Chris Munro

Star Wars Episode I: The Phantom Menace -- Gary Rydstrom, Tom Johnson, Shawn Murphy, John Midgley

SOUND EFFECTS EDITING

Fight Club -- Ren Klyce, Richard Hymns

*	The Matrix -- Dane A. Davis

Star Wars Episode I: The Phantom Menace -- Ben Burtt, Tom Bellfort

VISUAL EFFECTS

*	The Matrix -- John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum

Star Wars Episode I: The Phantom Menace -- John Knoll, Dennis Muren, Scott Squires, Rob Coleman

Stuart Little -- John Dykstra, Jerome Chen, Henry F. Anderson III, Eric Allard

WRITING (Screenplay Based on Material Previously Produced or Published)

*	The Cider House Rules -- John Irving

Election -- Alexander Payne, Jim Taylor

The Green Mile -- Frank Darabont

The Insider -- Eric Roth, Michael Mann

The Talented Mr. Ripley -- Anthony Minghella

WRITING (Screenplay Written Directly for the Screen)

*	American Beauty -- Alan Ball

Being John Malkovich -- Charlie Kaufman

Magnolia -- Paul Thomas Anderson

The Sixth Sense -- M. Night Shyamalan

Topsy-Turvy -- Mike Leigh

HONORARY AWARD

*	To Andrzej Wajda in recognition of five decades of extraordinary film direction.

IRVING G. THALBERG MEMORIAL AWARD

*	Warren Beatty

GORDON E. SAWYER AWARD

*	Roderick T. Ryan

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

To NICK PHILLIPS for the design and development of the three-axis Libra III remote control camera head. The Libra III head can accept a range of film cameras and their lenses and allows the operator to add stabilization to each axis for medium focal length lenses. Motion capture and playback are also selectable features. [Stage Operations]

To FRITZ GABRIEL BAUER for the concept, design and engineering of the Moviecam Superlight 35mm Motion Picture Camera. The quiet Moviecam Superlight is an extremely small and light 35mm professional motion picture sound camera which allows the cinematographer to film in ways and situations that were never before possible. [Camera]

To IAIN NEIL for the optical design, RICK GELBARD for the mechanical design, and PANAVISION, INC. for the development of the Millennium Camera System viewfinder. This unique and versatile viewfinder with two independent viewing positions provides a very high-resolution video assist image, greatly enhancing its application for on-set compositing or non-linear editing. [Camera]

To HUW GWILYM, KARL LYNCH and MARK V. CRABTREE for the design and development of the AMS Neve Logic Digital Film Console for motion picture sound mixing. This console allows the user multi-position mixing capabilities, stem routing predub inputs and other filmcentric attributes. This is the first fully digital audio mixing console specifically designed for post-production film mixing. [Sound]

To JAMES MOULTRIE for the mechanical design, and to MIKE SALTER and MARK CRAIG GERCHMAN for the optical design of the Cooke S4 Range of Fixed Focal Length Lenses for 35mm motion picture photography. These state-of-the-art fixed focal length 35mm lenses are the result of intense efforts to meet industry requirements in several areas. Providing superior performance in several cinematographic aspects, these lenses include a unique linear focus system. [Lenses and Filters]

To MARLOWE A. PICHEL for development of the process for manufacturing Electro-formed Metal Reflectors which, when combined with the DC Short Arc Xenon Lamp, became the worldwide standard for motion picture projection systems. The impact of the Electro-formed Metal Reflector over the decades has completely changed the presentation side of the motion picture industry allowing the replacement of the carbon arc light source and the implementation of automated projection systems. [Projection]

To L. RON SCHMIDT for the concept, design and engineering of the Linear Loop Film Projectors. These radically new motion picture film projectors provide superior print handling, image steadiness, screen illumination and enhanced viewer experience by means of an extremely simple air-driven mechanical transport system. [Projection]

To NAT TIFFEN of Tiffen Manufacturing Corporation for the production of high-quality, durable, laminated color filters for motion picture photography. Materials of uniform color characteristics are implanted between layers of optical glass and bonded together under extremes of heat and pressure. The outer surfaces are ground and polished to specified close tolerances, free of distortion and resistant to changes in temperature or humidity, then bound with a protective metal ring. [Lenses and Filters]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

To VIVIENNE DYER and CHRIS WOOLF for the design and development of the Rycote Microphone Windshield Modular System. Designed to eliminate physical acoustical rumble and to mask a microphone's high sensitivity to wind and other unwanted noises, the lightweight and rugged Rycote Microphone Windshields accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]

To LESLIE DREVER for the design and development of the Light Wave microphone windscreens and isolation mounts from Light Wave Systems. Designed to eliminate physical acoustical rumble and to cover a microphone's high sensitivity to wind and other unwanted noises, the Light Wave Systems line of shock mounts and windscreens accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]

To RICHARD C. SEHLIN for the concept, and DR. MITCHELL J. BOGDANOWICZ and MARY L. SCHMOEGER of the Eastman Kodak Company for the design and development of the Eastman Lamphouse Modification Filters. The ELM Filters enable a laboratory to achieve additive printer contrast and color reproduction using a subtractive lamphouse. [Lenses and Filters]

To HOYT H. YEATMAN, JR. of Dream Quest Images and JOHN C. BREWER of the Eastman Kodak Company for the identification and diagnosis leading to the elimination of the "red fringe" artifact in traveling matte composite photography. The elimination of the "red fringe" artifact in traveling matte composite photography obviates expensive additional computerized image processing thus reducing the time involved in producing a seamless and convincing composite shot. [Laboratory]

AWARD OF COMMENDATION

*	To FPC, Incorporated, under the leadership of Barry M. Stultz and Milton Jan Friedman, for the development and implementation of an environmentally responsible program to recycle or destroy discarded motion picture prints.

JOHN A. BONNER MEDAL OF COMMENDATION

*	To Edmund M. Di Giulio in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

*	To Takuo Miyagishima in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

第七十一届奥斯卡奖项名单

刻画过的巍峨 — Sat, 28 Mar 2009 18:49:00 GMT

1998 (71st)

ACTOR IN A LEADING ROLE

*	*Roberto Benigni -- Life Is Beautiful* {"Guido"}**

Tom Hanks -- Saving Private Ryan {"Captain Miller"}

Ian McKellen -- Gods and Monsters {"James Whale"}

Nick Nolte -- Affliction {"Wade Whitehouse"}

Edward Norton -- American History X {"Derek"}

ACTOR IN A SUPPORTING ROLE

*	*James Coburn -- Affliction* {"Glen Whitehouse"}**

Robert Duvall -- A Civil Action {"Jerome Facher"}

Ed Harris -- The Truman Show {"Christof"}

Geoffrey Rush -- Shakespeare in Love {"Philip Henslowe"}

Billy Bob Thornton -- A Simple Plan {"Jacob"}

ACTRESS IN A LEADING ROLE

Cate Blanchett -- Elizabeth {"Queen Elizabeth I"}

Fernanda Montenegro -- Central Station {"Dora"}

*	*Gwyneth Paltrow -- Shakespeare in Love* {"Viola De Lesseps"}**

Meryl Streep -- One True Thing {"Kate Gulden"}

Emily Watson -- Hilary and Jackie {"Jacqueline du Pré"}

ACTRESS IN A SUPPORTING ROLE

Kathy Bates -- Primary Colors {"Libby"}

Brenda Blethyn -- Little Voice {"Mari"}

*	*Judi Dench -- Shakespeare in Love* {"Queen Elizabeth I"}**

Rachel Griffiths -- Hilary and Jackie {"Hilary du Pré"}

Lynn Redgrave -- Gods and Monsters {"Hanna"}

ART DIRECTION

Elizabeth -- Art Direction: John Myhre; Set Decoration: Peter Howitt

Pleasantville -- Art Direction: Jeannine Oppewall; Set Decoration: Jay Hart

Saving Private Ryan -- Art Direction: Tom Sanders; Set Decoration: Lisa Dean Kavanaugh

*	Shakespeare in Love -- Art Direction: Martin Childs; Set Decoration: Jill Quertier

What Dreams May Come -- Art Direction: Eugenio Zanetti; Set Decoration: Cindy Carr

CINEMATOGRAPHY

A Civil Action -- Conrad L. Hall

Elizabeth -- Remi Adefarasin

*	Saving Private Ryan -- Janusz Kaminski

Shakespeare in Love -- Richard Greatrex

The Thin Red Line -- John Toll

COSTUME DESIGN

Beloved -- Colleen Atwood

Elizabeth -- Alexandra Byrne

Pleasantville -- Judianna Makovsky

*	Shakespeare in Love -- Sandy Powell

Velvet Goldmine -- Sandy Powell

DIRECTING

Life Is Beautiful -- Roberto Benigni

*	Saving Private Ryan -- Steven Spielberg

Shakespeare in Love -- John Madden

The Thin Red Line -- Terrence Malick

The Truman Show -- Peter Weir

DOCUMENTARY (Feature)

Dancemaker -- Matthew Diamond, Jerry Kupfer

The Farm: Angola, U.S.A. -- Jonathan Stack, Liz Garbus

*	The Last Days -- James Moll, Ken Lipper

Lenny Bruce: Swear to Tell the Truth -- Robert B. Weide

Regret to Inform -- Barbara Sonneborn, Janet Cole

DOCUMENTARY (Short Subject)

*	The Personals: Improvisations on Romance in the Golden Years -- Keiko Ibi

A Place in the Land -- Charles Guggenheim

Sunrise over Tiananmen Square -- Shui-Bo Wang, Donald McWilliams

FILM EDITING

Life Is Beautiful -- Simona Paggi

Out of Sight -- Anne V. Coates

*	Saving Private Ryan -- Michael Kahn

Shakespeare in Love -- David Gamble

The Thin Red Line -- Billy Weber, Leslie Jones, Saar Klein

FOREIGN LANGUAGE FILM

Central Station -- Brazil

Children of Heaven -- Iran

The Grandfather -- Spain

*	Life Is Beautiful -- Italy

Tango -- Argentina

MAKEUP

*	Elizabeth -- Jenny Shircore

Saving Private Ryan -- Lois Burwell, Conor O'Sullivan, Daniel C. Striepeke

Shakespeare in Love -- Lisa Westcott, Veronica Brebner

MUSIC (Original Dramatic Score)

Elizabeth -- David Hirschfelder

*	Life Is Beautiful -- Nicola Piovani

Pleasantville -- Randy Newman

Saving Private Ryan -- John Williams

The Thin Red Line -- Hans Zimmer

MUSIC (Original Musical or Comedy Score)

A Bug's Life -- Randy Newman

Mulan -- Music by Matthew Wilder; Lyrics by David Zippel; Orchestral Score by Jerry Goldsmith

Patch Adams -- Marc Shaiman

The Prince of Egypt -- Music and Lyrics by Stephen Schwartz; Orchestral Score by Hans Zimmer

*	Shakespeare in Love -- Stephen Warbeck

MUSIC (Original Song)

"I Don't Want To Miss a Thing" from Armageddon -- Music and Lyric by Diane Warren

"The Prayer" from Quest for Camelot -- Music by Carole Bayer Sager and David Foster; Lyric by Carole Bayer Sager, David Foster, Tony Renis and Alberto Testa

"A Soft Place To Fall" from The Horse Whisperer -- Music and Lyric by Allison Moorer and Gwil Owen

"That'll Do" from Babe: Pig in the City -- Music and Lyric by Randy Newman

*	*"When You Believe" from The Prince of Egypt* -- Music and Lyric by Stephen Schwartz**

BEST PICTURE

Elizabeth -- Alison Owen, Eric Fellner and Tim Bevan, Producers

Life Is Beautiful -- Elda Ferri and Gianluigi Braschi, Producers

Saving Private Ryan -- Steven Spielberg, Ian Bryce, Mark Gordon and Gary Levinsohn, Producers

*	Shakespeare in Love -- David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick and Marc Norman, Producers

The Thin Red Line -- Robert Michael Geisler, John Roberdeau and Grant Hill, Producers

SHORT FILM (Animated)

*	Bunny -- Chris Wedge

The Canterbury Tales -- Christopher Grace, Jonathan Myerson

Jolly Roger -- Mark Baker

More -- Mark Osborne, Steve Kalafer

When Life Departs -- Karsten Kiilerich, Stefan Fjeldmark

SHORT FILM (Live Action)

Culture -- Will Speck, Josh Gordon

*	Election Night (Valgaften) -- Kim Magnusson, Anders Thomas Jensen

Holiday Romance -- Alexander Jovy, JJ Keith

La Carte Postale (The Postcard) -- Vivian Goffette

Victor -- Simon Sandquist, Joel Bergvall

SOUND

Armageddon -- Kevin O'Connell, Greg P. Russell, Keith A. Wester

The Mask of Zorro -- Kevin O'Connell, Greg P. Russell, Pud Cusack

*	Saving Private Ryan -- Gary Rydstrom, Gary Summers, Andy Nelson, Ronald Judkins

Shakespeare in Love -- Robin O'Donoghue, Dominic Lester, Peter Glossop

The Thin Red Line -- Andy Nelson, Anna Behlmer, Paul Brincat

SOUND EFFECTS EDITING

Armageddon -- George Watters II

The Mask of Zorro -- David McMoyler

*	Saving Private Ryan -- Gary Rydstrom, Richard Hymns

VISUAL EFFECTS

Armageddon -- Richard R. Hoover, Pat McClung, John Frazier

Mighty Joe Young -- Rick Baker, Hoyt Yeatman, Allen Hall, Jim Mitchell

*	What Dreams May Come -- Joel Hynek, Nicholas Brooks, Stuart Robertson, Kevin Mack

WRITING (Screenplay Based on Material Previously Produced or Published)

*	Gods and Monsters -- Bill Condon

Out of Sight -- Scott Frank

Primary Colors -- Elaine May

A Simple Plan -- Scott B. Smith

The Thin Red Line -- Terrence Malick

WRITING (Screenplay Written Directly for the Screen)

Bulworth -- Screenplay by Warren Beatty, Jeremy Pikser; Story by Warren Beatty

Life Is Beautiful -- Vincenzo Cerami, Roberto Benigni

Saving Private Ryan -- Robert Rodat

*	Shakespeare in Love -- Marc Norman, Tom Stoppard

The Truman Show -- Andrew Niccol

HONORARY AWARD

*	To Elia Kazan in recognition of his indelible contributions to the art of motion picture direction.

IRVING G. THALBERG MEMORIAL AWARD

*	Norman Jewison

SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)

To AVID TECHNOLOGY, INC. for the concept, system design and engineering of the Avid Film Composer for motion picture editing. The Avid Film Composer is a digital, non-linear, 24 frame-per-second editing machine usinig compression algorithms, that has revolutionized the art of film editing. Shots can be stored, recalled, manipulated and played back instantaneously, allowing the film editor unprecedented creative freedom and the ability to realize a film more fully than before. [Editorial and Pre-production]

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

To DR. THOMAS G. STOCKHAM, JR. and ROBERT B. INGEBRETSEN for their pioneering work in the areas of waveform editing, crossfades and cut-and-paste techniques for digital audio editing. The foundation of current digital audio editing equipment for motion pictures has its roots in the late seventies work of these digital pioneers. [Sound]

To JAMES A. MOORER for his pioneering work in the design of digital signal processing and its application to audio editing for film. This early work in systems architecture and software has had a significant impact on the digital creation of sound effects and the editing of audio for motion picture sound tracks. [Sound]

*	To STEPHEN J. KAY of K-Tec Corporation for the design and development of the Shock Block. This specially designed ground fault interrupter eliminates the electric shock hazard when working in water, wet conditions or from an accidentally exposed power line. [Lighting]

To GARY TREGASKIS for the primary design; and to DOMINIQUE BOISVERT, PHILIPPE PANZINI and ANDRÉ LEBLANC for the development and implementation of the Flame and Inferno software. The Inferno System, and its predecessor, Flame, provide high-speed, efficient integrated digital compositing and visual effects tools. [Special Photographic]

To ROBERT PREDOVICH, JOHN SCOTT, MOHAMED KEN T. HUSAIN and CAMERON SHEARER for the design and implementation of the Soundmaster Integrated Operations Nucleus operating environment. The Soundmaster system provides motion picture audio post production facilities with a completely integrated capability for synchronization of audio and picture elements with the numerous methods of synchronization in use today. [Sound]

To ROY B. FERENCE, STEVEN R. SCHMIDT, RICHARD J. FEDERICO, ROCKWELL YARID and MICHAEL E. MCCRACKAN for the design and development of the Kodak Lightning Laser Recorder. The Kodak Lightning laser recorder system established higher operational and quality standards and achieved wide industry acceptance for digital film recording onto intermediate film stock. [Special Photographic]

To COLIN MOSSMAN, HANS LEISINGER and GEORGE JOHN ROWLAND of Deluxe Laboratories for the concept and design of the Deluxe High Speed Spray Film Cleaner. This innovative and effective high speed film cleaning machine is unique in its use of spray technology, providing the flexibility to use alternative solvents, and to anticipate changes in environmental legislation. [Laboratory]

To ARNOLD & RICHTER CINE TECHNIK, and ARRI USA, INC. for the concept and engineering of the Arriflex 435 Camera System. The 435 enhances the creative process via its programmability and reliability, and provides the camera operator with the widest feature and performance capability of any MOS camera in use today. [Camera]

To ARNOLD & RICHTER CINE TECHNIK and the CARL ZEISS COMPANY for the concept and optical design of the Carl Zeiss/Arriflex Variable Prime Lenses. This series of variable prine lenses opens many creative possibilities, since any focal length can be continuously selected throughout the entire range. They offer sharp, high-contrast, high-resolution images with minimized vignetting, superior to many prime lenses. [Lenses and Filters]

To DEREK C. LIGHTBODY of OpTex for the design and development of Aurasoft Luminaires. The Aurasoft offers a radical new type of reflector design for the production of soft, very even and relatively shadowless light, with superior coverage and significantly higher intensity than existing softlights. [Lighting]

To MARK ROBERTS, RONAN CARROLL, ASSAFF RAWNER, PAUL BARTLETT and SIMON WAKLEY for the creation of the Milo Motion-Control Crane. This radically original and effective solution to the problems of high-speed camera motion was achieved with the combination of novel geometry and dedicated 3-dimensional control software. [Camera Cranes]

To MICHAEL SORENSEN and RICHARD ALEXANDER of Sorensen Designs International, and DONALD TRUMBULL for advancing the state-of-the-art of real-time motion-control, as exemplified in the Gazelle and Zebra camera dolly systems. Over the past decade, Sorensen, Alexander and Trumbull have improved the speed, repeatability and portability of robotic camera platforms through novel engineering concepts and the pioneering use of composite materials. [Camera Cranes]

To RONALD E. UHLIG, THOMAS F. POWERS and FRED M. FUSS of the Eastman Kodak Company for the design and development of KeyKode latent-image barcode key numbers. KeyKode numbers are machine-readable bar codes on camera negative films that exactly replicate the human-readable key numbers. Together with an appropriate reader and database software, they reduce errors and speed important post-production operations, leading to significant cost savings. [Laboratory]

To IAIN NEIL for the optical design; TAKUO MIYAGISHIMA for the mechanical design; and PANAVISION, INCORPORATED, for the concept and development of the Primo Series of spherical prime lenses for 35mm cinematography. The Primo Series of lenses for 35mm cinematography represents a thorough and comprehensive approach to prime lens design, development and manufacture. This family of lenses has a wide range of focal lengths, all color matched, with improved modulation transfer function characteristics. [Lenses and Filters]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

To GARRETT BROWN and JERRY HOLWAY for the creation of the Skyman flying platform for Steadicam operators. This cable-driven, manned camera platform allows the operator to spin 360 degrees for unimpeded pans while controlling the downhill speed via brakes. As a device for achieving otherwise impossible shots, Skyman has had a definite influence on later cable-suspended camera systems. [Camera Cranes]

To JAMES RODNUNSKY, JAMES WEBBER and BOB WEBBER of Cablecam Systems, and TROU BAYLISS for the design and engineering of Cablecam. This radio-controlled, cable-driven camera platform with its ultra-smooth synthetic cables and powerful hydraulic motors, enables runs in excess of 3000 feet with quick return to start. Operating unmanned, it can function at speeds and through perils that would be unsafe for on-board operators. [Camera Cranes]

To DAVID DIFRANCESCO, BALA S. MANIAN and THOMAS L. NOGGLE for their pioneering efforts in the development of laser film recording technology. This pioneering laser film recorder, designed and used for motion pictures, demonstrated the potential of this technology for recording digital data onto intermediate film stock. [Special Photographic]

To MICHAEL MACKENZIE, MIKE BOLLES, UDO PAMPEL and JOSEPH FULMER of Industrial Light & Magic for their pioneering work in motion-controlled, silent camera dollies. This silent, high-speed motion control modification of a Panther dolly makes it possible to film moving camera composite shots of actors while recording live dialogue. [Camera Cranes]

*	To BARRY WALTON, BILL SCHULTZ, CHRIS BARKER and DAVID CORNELIUS of Sony Pictures Imageworks for the creation of an advanced motion-controlled, silent camera dolly. This extensive modification to the Panther dolly allows high-speed moves to be silent, smooth and stable. [Camera Cranes]

*	To BRUCE WILTON and CARLOS ICINKOFF of Mechanical Concepts for their modular system of motion-control rotators and movers for use in motion-control. These components have become the de facto industry standard for use in precision motion control equipment. [Camera Cranes]

To REMY SMITH for the software and electronic design and development; and JAMES K. BRANCH and NASIR J. ZAIDI for the design and development of the Spectra Professional IV-A digital exposure meter. The design and execution of the Spectra Professional IV-A meter has resulted in a practical and successful tool for the film production community. [Photography]

To IVAN KRUGLAK for his commitment to the development of a wireless transmission system for video-assisted images for the motion picture industry. Through years of persistent effort, Mr. Kruglak has commercialized and popularized a technique of great utility for motion picture camera operations. By introducing diversity antennas and a time code insertion accessory, he has optimized camera wireless video-assist components. [Camera]

To DR. DOUGLAS R. ROBLE for his contribution to tracking technology and for the design and implementation of the TRACK system for camera position calculation and scene reconstruction. The TRACK system is an integrated software tool that uses computer-vision techniques to extract critical 2D and 3D information about a scene and the camera used to film it. [Special Photographic]

To THADDEUS BEIER for the design and implementation of ras_track, a system for 2D tracking, stabilization, and 3D camera and object tracking. Ras_track allows the user to determine the postiton and location of the camera and objects in a scene by tracking points in a scanned sequence. [Special Photographic]

To MANFRED N. KLEMME and DONALD E. WETZEL for the design and development of the K-Tek Microphone Boom Pole and accessories for on-set motion picture sound recording. The K-TEK series microphone boom pole provides production recording personnel with a self-lubricated, light-weight, sturdy pole with multiple accessories. [Sound]

*	To NICK FOSTER for his software development in the field of water simulation systems. This software technique provides an efficient and flexible method for the creation of flowing streams, oceans, tidal waves and turbulence for motion picture visual effects. [Special Photographic]

To CARY PHILLIPS for the design and development of the "Caricature" Animation System at Industrial Light & Magic. By integrating existing tools into a powerful interactive system, and adding an expressive multi-target shape interpolation-based freeform animation system, the "Caricature" system provides a degree of subtlety and refinement not possible with other systems. [Special Photographic]

To DR. MITCHELL J. BOGDANOWICZ of the Eastman Kodak Company, and JIM MEYER and STAN MILLER of Rosco Laboratories, Inc. for the design of the CalColor Calibrated Color Effects Filters. Designed to correspond to the spectral sensitivity of color negative film stocks, these filters provide for improved color control in motion picture lighting. [Lenses and Filters]

To DR. A. TULSI RAM, RICHARD C. SEHLIN, DR. CARL F. HOLTZ and DAVID F. KOPPERL of the Eastman Kodak Company for the research and development of the concept of molecular sieves applied to improve the archival properties of processed photographic film. The use of zeolite crystals as molecular sieves to absorb moisture, acetic acid, methylene chloride and a variety of solvents created an effective deterrent to the effects of vinegar syndrome in stored film stock. [Laboratory]

To TAKUO MIYAGISHIMA and ALBERT K. SAIKI of Panavision, Inc. for the design and development of the Eyepiece Leveler. This leveler keeps the camera eyepiece at the same level, regardless of whether the camera position is tilted up or down, enabling the camera operator to concentrate on the composition of the image. [Camera]

To EDMUND M. DI GIULIO and JAMES BARTELL of Cinema Products for the design of the KeyKode Sync Reader. The KeyKode Sync Reader provides a fast, accurate and user-friendly means of utilizing the KeyKode information on film, thereby expediting the editorial and post-production processes. [Laboratory]

To IVAN KRUGLAK for his pioneering concept and the development of the Coherent Time Code Slate. Time code slates have had significant impact on the filmmaking process by simplifying post-production. This development makes the synchronization process faster and more precise, particularly when multiple cameras are used. [Editorial and Pre-production]

To MIKE DENECKE for refining and further developing electronic time code slates. Due to their features and simplified operational procedures, the Denecke slates have had significant impact on the motion picture industry and have become the standard for electronic time code slates. [Editorial and Pre-production]

To ED ZWANEVELD and FREDERICK GASOI of the National Film Board of Canada, and MIKE LAZARIDIS and DALE BRUBACHER-CRESSMAN of Research in Motion for the design and development of the DigiSync Film KeyKode Reader. The DigiSync Film KeyKode Reader provides a fast, accurate and user-friendly means of utilizing the KeyKode information on film, expediting the editorial and post-production processes. [Laboratory]

JOHN A. BONNER MEDAL OF COMMENDATION

*	To David W. Gray in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.

第七十届奥斯卡奖项名单

刻画过的巍峨 — Fri, 27 Mar 2009 19:37:00 GMT

1997 (70th)

ACTOR IN A LEADING ROLE

Matt Damon -- Good Will Hunting {"Will Hunting"}

Robert Duvall -- The Apostle {"The Apostle E.F."}

Peter Fonda -- Ulee's Gold {"Ulee Jackson"}

Dustin Hoffman -- Wag the Dog {"Stanley Motss"}

*	*Jack Nicholson -- As Good as It Gets* {"Melvin Udall"}**

ACTOR IN A SUPPORTING ROLE

Robert Forster -- Jackie Brown {"Max Cherry"}

Anthony Hopkins -- Amistad {"John Quincy Adams"}

Greg Kinnear -- As Good as It Gets {"Simon Bishop"}

Burt Reynolds -- Boogie Nights {"Jack Horner"}

*	*Robin Williams -- Good Will Hunting* {"Sean McGuire"}**

ACTRESS IN A LEADING ROLE

Helena Bonham Carter -- The Wings of the Dove {"Kate Croy"}

Julie Christie -- Afterglow {"Phyllis Mann"}

Judi Dench -- Mrs. Brown {"Queen Victoria"}

*	*Helen Hunt -- As Good as It Gets* {"Carol Connelly"}**

Kate Winslet -- Titanic {"Rose DeWitt Bukater"}

ACTRESS IN A SUPPORTING ROLE

*	*Kim Basinger -- L.A. Confidential* {"Lynn Bracken"}**

Joan Cusack -- In & Out {"Emily Montgomery"}

Minnie Driver -- Good Will Hunting {"Skylar"}

Julianne Moore -- Boogie Nights {"Amber Waves"}

Gloria Stuart -- Titanic {"Old Rose"}

ART DIRECTION

Gattaca -- Art Direction: Jan Roelfs; Set Decoration: Nancy Nye

Kundun -- Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo

L.A. Confidential -- Art Direction: Jeannine Oppewall; Set Decoration: Jay R. Hart

Men in Black -- Art Direction: Bo Welch; Set Decoration: Cheryl Carasik

*	Titanic -- Art Direction: Peter Lamont; Set Decoration: Michael Ford

CINEMATOGRAPHY

Amistad -- Janusz Kaminski

Kundun -- Roger Deakins

L.A. Confidential -- Dante Spinotti

*	Titanic -- Russell Carpenter

The Wings of the Dove -- Eduardo Serra

COSTUME DESIGN

Amistad -- Ruth E. Carter

Kundun -- Dante Ferretti

Oscar and Lucinda -- Janet Patterson

*	Titanic -- Deborah L. Scott

The Wings of the Dove -- Sandy Powell

DIRECTING

The Full Monty -- Peter Cattaneo

Good Will Hunting -- Gus Van Sant

L.A. Confidential -- Curtis Hanson

The Sweet Hereafter -- Atom Egoyan

*	Titanic -- James Cameron

DOCUMENTARY (Feature)

Ayn Rand: A Sense of Life -- Michael Paxton

Colors Straight Up -- Michèle Ohayon, Julia Schachter

4 Little Girls -- Spike Lee, Sam Pollard

*	The Long Way Home -- Rabbi Marvin Hier, Richard Trank

Waco: The Rules of Engagement -- Dan Gifford, William Gazecki

DOCUMENTARY (Short Subject)

Alaska: Spirit of the Wild -- George Casey, Paul Novros

Amazon -- Kieth Merrill, Jonathan Stern

Daughter of the Bride -- Terri Randall

Still Kicking: The Fabulous Palm Springs Follies -- Mel Damski, Andrea Blaugrund

*	A Story of Healing -- Donna Dewey, Carol Pasternak

FILM EDITING

Air Force One -- Richard Francis-Bruce

As Good as It Gets -- Richard Marks

Good Will Hunting -- Pietro Scalia

L.A. Confidential -- Peter Honess

*	Titanic -- Conrad Buff, James Cameron, Richard A. Harris

FOREIGN LANGUAGE FILM

Beyond Silence -- Germany

*	Character -- The Netherlands

Four Days in September -- Brazil

Secrets of the Heart -- Spain

The Thief -- Russia

MAKEUP

*	Men in Black -- Rick Baker, David LeRoy Anderson

Mrs. Brown -- Lisa Westcott, Veronica Brebner, Beverley Binda

Titanic -- Tina Earnshaw, Greg Cannom, Simon Thompson

MUSIC (Original Dramatic Score)

Amistad -- John Williams

Good Will Hunting -- Danny Elfman

Kundun -- Philip Glass

L.A. Confidential -- Jerry Goldsmith

*	Titanic -- James Horner

MUSIC (Original Musical or Comedy Score)

Anastasia -- Music by Stephen Flaherty; Lyrics by Lynn Ahrens; Orchestral Score by David Newman

As Good as It Gets -- Hans Zimmer

*	The Full Monty -- Anne Dudley

Men in Black -- Danny Elfman

My Best Friend's Wedding -- James Newton Howard

MUSIC (Original Song)

"Go the Distance" from Hercules -- Music by Alan Menken; Lyric by David Zippel

"How Do I Live" from Con Air -- Music and Lyric by Diane Warren

"Journey to the Past" from Anastasia -- Music by Stephen Flaherty; Lyric by Lynn Ahrens

"Miss Misery" from Good Will Hunting -- Music and Lyric by Elliott Smith

*	*"My Heart Will Go On" from Titanic* -- Music by James Horner; Lyric by Will Jennings**

BEST PICTURE

As Good as It Gets -- James L. Brooks, Bridget Johnson and Kristi Zea, Producers

The Full Monty -- Uberto Pasolini, Producer

Good Will Hunting -- Lawrence Bender, Producer

L.A. Confidential -- Arnon Milchan, Curtis Hanson and Michael Nathanson, Producers

*	Titanic -- James Cameron and Jon Landau, Producers

SHORT FILM (Animated)

Famous Fred -- Joanna Quinn

*	Geri's Game -- Jan Pinkava

La Vieille Dame et les Pigeons (The Old Lady and the Pigeons) -- Sylvain Chomet

The Mermaid -- Alexander Petrov

Redux Riding Hood -- Steve Moore, Dan O'Shannon

SHORT FILM (Live Action)

Dance Lexie Dance -- Pearse Moore, Tim Loane

It's Good to Talk -- Roger Goldby, Barney Reisz

Sweethearts? -- Birger Larsen, Thomas Lydholm

*	Visas and Virtue -- Chris Tashima, Chris Donahue

Wolfgang -- Kim Magnusson, Anders Thomas Jensen

SOUND

Air Force One -- Paul Massey, Rick Kline, D. M. Hemphill, Keith A. Wester

Con Air -- Kevin O'Connell, Greg P. Russell, Arthur Rochester

Contact -- Randy Thom, Tom Johnson, Dennis Sands, William B. Kaplan

L.A. Confidential -- Andy Nelson, Anna Behlmer, Kirk Francis

*	Titanic -- Gary Rydstrom, Tom Johnson, Gary Summers, Mark Ulano

SOUND EFFECTS EDITING

Face/Off -- Mark P. Stoeckinger, Per Hallberg

The Fifth Element -- Mark Mangini

*	Titanic -- Tom Bellfort, Christopher Boyes

VISUAL EFFECTS

The Lost World: Jurassic Park -- Dennis Muren, Stan Winston, Randal M. Dutra, Michael Lantieri

Starship Troopers -- Phil Tippett, Scott E. Anderson, Alec Gillis, John Richardson

*	Titanic -- Robert Legato, Mark Lasoff, Thomas L. Fisher, Michael Kanfer

WRITING (Screenplay Based on Material Previously Produced or Published)

Donnie Brasco -- Paul Attanasio

*	L.A. Confidential -- Brian Helgeland, Curtis Hanson

The Sweet Hereafter -- Atom Egoyan

Wag the Dog -- Hilary Henkin, David Mamet

The Wings of the Dove -- Hossein Amini

WRITING (Screenplay Written Directly for the Screen)

As Good as It Gets -- Screenplay by Mark Andrus, James L. Brooks; Story by Mark Andrus

Boogie Nights -- Paul Thomas Anderson

Deconstructing Harry -- Woody Allen

The Full Monty -- Simon Beaufoy

*	Good Will Hunting -- Ben Affleck, Matt Damon

HONORARY AWARD

*	To Stanley Donen in appreciation of a body of work marked by grace, elegance, wit and visual innovation.

GORDON E. SAWYER AWARD

*	Don Iwerks

SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)

*	To GUNNAR P. MICHELSON for the engineering and development of an improved, electronic, high-speed, precision light valve for use in motion picture printing machines. [Laboratory]

SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)

*	To WILLIAM KOVACS for his creative leadership and ROY HALL for his principal engineering efforts that led to the Wavefront Advanced Visualizer computer graphics system. [Special Photographic]

*	To JOHN GIBSON, ROB KRIEGER, MILAN NOVACEK, GLEN OZYMOK and DAVE SPRINGER for the development of the geometric modeling component of the Alias PowerAnimator System. [Special Photographic]

*	To DOMINIQUE BOISVERT, RÉJEAN GAGNÉ, DANIEL LANGLOIS and RICHARD LAPERRIERE for the development of the "Actor" animation component of the Softimage computer animation system. [Special Photographic]

*	To EBEN OSTBY, WILLIAM REEVES, SAMUEL J. LEFFLER and TOM DUFF for the development of the Marionette Three-Dimensional Computer Animation System. [Special Photographic]

*	To CRAIG W. REYNOLDS for his pioneering contributions to the development of three-dimensional computer animation for motion picture production. [Special Photographic]

*	To RICHARD SHOUP, ALVY RAY SMITH and THOMAS PORTER for their pioneering efforts in the development of digital paint systems used in motion picture production. [Special Photographic]

*	To KIRK HANDLEY, RAY MELUCH, SCOTT ROBINSON, WILSON H. ALLEN and JOHN NEARY for the design, development and implementation of the Dolby CP500 Digital Cinema Processor. [Sound]

*	To JOEL W. JOHNSON of the O'Connor Laboratories for the unique design improvement in fluid head counter-balancing techniques as used in their Model 2575. [Stage Operations]

*	To AL JENSEN, CHUCK HEADLEY, JEAN MESSNER and HAZEM NABULSI of CEI Technology for the production of a self-contained, flicker-free, Color Video-Assist Camera. [Camera]

SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)

*	To CLARK F. CRITES for the design and development of the Christie ELF 1-C Endless Loop Film Transport and Storage System. [Projection]

*	To DAN LEIMETER and ROBERT WEITZ for the development and implementation of a Portable Adjustment Tool for T-Style Slit Lens Assemblies. [Sound]

*	To PHILIP C. CORY for the design and development of the Special Effects Spark Generator. [Stage Operations]

*	To JAMES M. REILLY, DOUGLAS W. NISHIMURA and MONIQUE C. FISCHER of the Rochester Institute of Technology for the creation of A-D Strips, a diagnostic tool for the detection of the presence of vinegar syndrome in processed acetate-based motion picture film. [Laboratory]

*	To JIM FRAZIER, for the design concept, and IAIN NEIL and RICK GELBARD for the further design and development of the Panavision/Frazier Lens System for motion picture photography. [Lenses and Filters]

*	To JAMES F. FOLEY, CHARLES E. CONVERSE and F. EDWARD GARDNER of UCISCO; and to ROBERT W. STOKER, JR. and MATT SWEENEY for the development and realization of Liquid Synthetic Air. [Stage Operations]

*	To JACK CASHIN, ROGER HIBBARD and LARRY JACOBSON for the design, development and implementation of a projection system analyzer. [Projection]

*	To RICHARD CHUANG, GLENN ENTIS and CARL ROSENDAHL for the concept and architecture of the Pacific Data Images (PDI) Animation System. [Special Photographic]

*	To GREG HERMANOVIC, KIM DAVIDSON, MARK ELENDT and PAUL H. BRESLIN for the development of the procedural modeling and animation components of the Prisms software package. [Special Photographic]

*	To JAMES J. KEATING, MICHAEL WAHRMAN and RICHARD HOLLANDER for their contributions that led to the Wavefront Advanced Visualizer computer graphics system. [Special Photographic]

JOHN A. BONNER MEDAL OF COMMENDATION

*	To Pete Clark in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.